ICAA Researcher: Ricardo Kusunoki / Gustavo Buntinx×
  • ¿es la pintura moderna respecto de la clásica, culminación o retroceso?
    Miró Quesada Cantuarias, Francisco, 1918-
    In response to the question in the survey published by the Lima newspaper El Comercio as to whether “modern” painting is an improvement on “classical” painting or a step back, the various respondents agreed that different styles from [...]
    ICAA Record ID: 1137431

  • Cátedra libre : ¿ qué prefiere Ud., pintura clásica o pintura moderna?
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    The question in the El Comercio newspaper’s survey, “Which do you prefer, classical painting or modern painting?” prompted replies from two painters, one attorney, one journalist, and an art dealer. All the responses were similar, claiming that [...]
    ICAA Record ID: 1137399

  • Cátedra libre : ¿por qué se ha transformado la pintura?
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    The survey about “classical” painting and “modern” painting that appeared in El Comercio, a Lima newspaper, sought to elicit opinions about the changes that painting has undergone. Though Sérvulo Gutiérrez states that those changes reflect [...]
    ICAA Record ID: 1137512

  • Cátedra libre : pintura clásica y pintura moderna
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    This is the general introduction to the survey about “classical” painting and “modern” painting that was published over the course of several weeks in the “Cátedra Libre” section of the Sunday supplement of El Comercio, a Lima newspaper [...]
    ICAA Record ID: 1137375

  • Cátedra libre: ¿por qué se ha transformado la pintura?
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In response to the survey published by the Lima newspaper El Comercio as to the difference between “classical” and “modern” art, respondents provided different and, in some cases, contradictory answers. Responding to the question regarding [...]
    ICAA Record ID: 1137463

  • Cátedra libre: en el Perú se reconoce el valor de la pintura moderna. - Dos direcciones de importancia: pintura moderna y pintura significativa
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    Francisco Miró Quesada Cantuarias, the driving force behind the El Comercio newspaper’s survey about art, summarizes the results and underscores the presumed consensus among “learned” people. In his opinion, “modern” painting is gaining [...]
    ICAA Record ID: 1137563

  • Cómo la pintura ha buscado al Perú : hallazgo de la realidad perdida : siglo XX : III
    Salazar Bondy, Sebastián
    1955
    In this text, Sebastián Salazar Bondy argues that the post-romantic generation, which was held in high regard at the time, is not essential to Peruvian art history because it is anachronistic; such art has neglected its “true” national and [...]
    ICAA Record ID: 1138092

  • Cómo la pintura ha buscado al Perú : los que intentan vencer el complejo : II
    Salazar Bondy, Sebastián
    1955
    This text is the second of three parts of the essay “Cómo la pintura ha buscado al Perú” written by Sebastián Salazar Bondy. The text was not intended to be “an aesthetic theory,” but rather “a sociological interrogation” geared [...]
    ICAA Record ID: 1138075

  • De arte : exposición Kleiser
    Raygada, Carlos, 1898-1953
    1950
    In this critical review of the exhibition of works by Enrique Kleiser at the Galería de Lima in October 1950, Carlos Raygada praises the painter’s bold attempt to ignore his academic roots and experiment with the abstract ideas that “are in [...]
    ICAA Record ID: 1150835

  • El Perú, ¿noción política?
    Salazar Bondy, Sebastián
    1955
    This text is Sebastián Salazar Bondy’s response to the criticism of artistic nationalism voiced by architect Luis Miró Quesada Garland in El Comercio newspaper (Lima, September 18, 1955) [see in the ICAA digital archive “En blanca y negra” ( [...]
    ICAA Record ID: 1138736

  • En blanca y negra
    Miró Quesada Garland, Luis
    1955
    Referring to the connotations implicit in several phrases that both he and Francisco Miró Quesada Cantuarias have used, Luis Miró Quesada Garland underscores the difference between “the spiritual mood,” which he used, and the idea of “cosmo- [...]
    ICAA Record ID: 1137661

  • En blanca y negra / L.M.Q.G.
    Miró Quesada Garland, Luis
    1955
    Luis Miró Quesada rejects claims concerning the social responsibility of art by denying any connection “between the aesthetic event and the ethical event;” in his opinion, rather than influencing society, art is its expression, or rather the [...]
    ICAA Record ID: 1137595

  • La gran pieta
    Miró Quesada Cantuarias, Francisco, 1918-
    1950
    In this essay Francisco Miró Quesada Cantuarias discusses La gran Pietà—the painting by Lajos d’Ebneth, the Hungarian artist who lived in Peru—that was shown at the exhibition at the Galería de Lima in August 1950. The author explains the [...]
    ICAA Record ID: 1138337

  • Lo que niega un cosmopolita
    Salazar Bondy, Sebastián
    1955
    This text is writer Sebastián Salazar Bondy’s response to the criticism of artistic nationalism voiced by Luis Miró Quesada Garland in El Comercio newspaper (Lima, September 25, 1955) [see in the ICAA digital archive “En blanca y negra” ( [...]
    ICAA Record ID: 1151027

  • Pintura : realismo y decadencia
    Falcón, Jorge, 1908-
    1950
    In this article Jorge Falcón reviews De Manet a nuestros días, the exhibition of French painting that opened at the Municipalidad de Lima on March 15, 1950. According to the writer and militant communist, the exhibition’s local reception—which [...]
    ICAA Record ID: 1138271

  • Sobre el significado del arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In this article Francisco Miró Quesada Cantuarias replies to the comments made by Luis Miró Quesada Garland (El Comercio, Lima, August 14, 1955) as part of the debate prompted by the latter’s conclusions concerning the newspaper’s survey about [...]
    ICAA Record ID: 1137729

  • Sobre el significado del arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    This time the argument is about the expression “significant painting,” which the author Francisco Miró Quesada Cantuarias contrasts with the term “abstract painting.” He claims that the former has a logical or scientific meaning, which his [...]
    ICAA Record ID: 1226970

  • Sobre la influencia social en el arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In response to the aesthetic opinions expressed by the architect Luis Miró Quesada Garland, who vehemently denied any influence between society and art, the author states that it is obvious that “the great art movements have had an influence on [...]
    ICAA Record ID: 1137629