ICAA Researcher: Mariairis Flores-Fundación AMA, Santiago, Chile×
  • "C.A.D.A. : A South American art"
    Colectivo Acciones de Arte
    1983
    This article by C.A.D.A. (Colectivo Acciones de Arte) describes the group’s participation in the IN/OUT exhibition in Washington, DC. Due to the international nature of the exhibition, the text points out differences, provides some context for [...]
    ICAA Record ID: 731898

  • "La pintura en Chile" de Galaz e Ivelic : una instancia redefinitoria para el arte chileno
    Richard, Nelly, 1948-
    1981
    This is Nelly Richard’s critical review of La pintura en Chile: desde la Colonia hasta 1981 (Painting in Chile: From the Colonial Period to 1981), the book cowritten by Milán Ivelic and Gaspar Galaz. Richard takes issue with a number of [...]
    ICAA Record ID: 731869

  • Alfredo Jaar : para América Latina espacios de reflexión
    Valdés, Adriana, 1943-
    1985
    In this article, Adriana Valdés discusses the work of Alfredo Jaar, specifically his installations, which she sees as opportunities for open reflection. She rates “space” above “message,” since Jaar’s work does [...]
    ICAA Record ID: 734782

  • American residues=Residuos americanos
    Colectivo Acciones de Arte
    1983
    In this short text, members of C.A.D.A. (Colectivo Acciones de Arte) describe the group’s project, Residuos Americanos [American Residues]. They explain that the installation suggests a connection between “American clothes” ( [...]
    ICAA Record ID: 747333

  • Campo artístico, escena de avanzada y autoritarismo en Chile
    Brunner, José Joaquín, 1944-
    1987
    José Joaquín Brunner explains how the authoritarian regime that came into power after the 1973 coup d’état impacted cultural production in its various forms and, more specifically, what was going on in the Escena de [...]
    ICAA Record ID: 738628

  • Carlos Leppe : nota sobre la obra de Leppe : el juego de lo citado y de lo citante
    Richard, Nelly, 1948-
    1985
    Nelly Richard addresses three different points in her review of Carlos Leppe’s work. She begins by noting his embrace of international art referents, highlighting his exclusion on the grounds of “being Latin American.” In her [...]
    ICAA Record ID: 734807

  • Congestionamientos
    Eltit, Diamela, 1949-; Brito, Eugenia, 1950-
    1980
    Diamela Eltit and María Eugenia Brito coauthored this essay about Lotty Rosenfeld’s project Una milla de cruces sobre el pavimento [A Mile of Crosses on the Pavement]. The text includes a prologue and eight chapters, each identified with [...]
    ICAA Record ID: 744653

  • Correcaminos
    Dittborn, Eugenio, 1943-
    1985
    In this essay Eugenio Dittborn writes about his Pinturas aeropostales [Airmail Paintings], discussing them in poetic terms laid out in 13 sections in which he describes how they were put together and how they were supposed to function. He explains [...]
    ICAA Record ID: 735214

  • Cuatro alcances
    Dittborn, Eugenio, 1943-
    1987
    Eugenio Dittborn discusses Nelly Richard’s book, Margins and Institutions. Art in Chile Since 1973 (1986), condensing his review into four brief comments. The first considers the text as a “lengthy written work,” which contributes [...]
    ICAA Record ID: 738646

  • Desacatos
    Eltit, Diamela, 1949-
    1986
    Diamela Eltit writes about Lotty Rosenfeld’s intervention, which consisted of altering the intermittent lines painted on streets to create traffic lanes. The text is arranged in a non-traditional layout that testifies to its poetic, reflective [...]
    ICAA Record ID: 734576

  • Desde el andén
    Richard, Nelly, 1948-
    1983
    Nelly Richard discusses the background that inspired the works that Francisco Brugnoli and Virginia Errázuriz presented at the Paisaje / Brugnoli / Errázuriz exhibition. Richard analyzes the works and notes that, despite the artists& [...]
    ICAA Record ID: 729866

  • El día de Díaz
    Oyarzún Robles, Pablo, 1950-
    2003
    "El día de Díaz" is a text written by Pablo Oyarzún on the subject of Biografía, a work by Gonzalo Díaz. Oyarzún provides a detailed description of the piece, a triptych in which each part [...]
    ICAA Record ID: 745133

  • El nomadismo fotográfico de Paz Errázuriz
    Mellado, Justo Pastor, 1949-
    1996
    Justo Pastor Mellado writes about Los nómadas del mar, the selection of photographs taken by Paz Errázuriz. The text is divided into four sections, beginning with comments on the artist’s work as a whole, which Pastor Mellado [...]
    ICAA Record ID: 757526

  • Eugenio Dittborn: doblemente geográfica. A propósito de la pintura postal de Eugenio Dittborn
    Richard, Nelly, 1948-
    1985
    Nelly Richard discusses the artistic aspects of the genre of works by Eugenio Dittborn known as Pintura aeropostal (Airmail Painting). Rather than focusing on a particular work, Richard contemplates the artist’s process and its effects. While [...]
    ICAA Record ID: 734740

  • Gonzalo Díaz : el kilómetro cientocuatro
    Mellado, Justo Pastor, 1949-
    1985
    The critic and curator Justo Pastor Mellado writes about Gonzalo Díaz’s participation in the exhibition Cuatro artistas chilenos en el CAYC de Buenos Aires: Díaz, Dittborn, Jaar, Leppe. Pastor Mellado discusses the role that D& [...]
    ICAA Record ID: 734722

  • Historias de mancha : marca, superficie y borde
    Nordenflycht Concha, José de, 1970-
    2000
    José de Nordenflycht discusses Justo Pastor Mellado’s curatorial vision for Chile 100 Años Artes Visuales. He mentions the area that included five painters who all studied at the Universidad de Chile: José Balmes, Samy [...]
    ICAA Record ID: 745760

  • Intertexto
    Richard, Nelly, 1948-
    1985
    This text by Nelly Richard is based on a collection of quotes, which trace an argumentative arc that express her ideas about the exhibition she is reviewing. She also discusses certain situations in the art field at the time that show how the first [...]
    ICAA Record ID: 734686

  • Inversión de escena
    Richard, Nelly, 1948-
    1983
    In this text the cultural critic Nelly Richard poses two questions: What strategy is being used? And what is the policy as regards to a cultural approach? Richard’s questions inform her analysis of the ideas underpinning the Provincia señ [...]
    ICAA Record ID: 731376

  • La economía dramática de la ciudad
    Brito, Eugenia, 1950-
    1986
    María Eugenia Brito discusses Lotty Rosenfeld’s project Una milla de cruces sobre el pavimento [A Mile of Crosses on the Pavement]. She addresses the artist’s intervention of traffic lines painted on city roads from what she [...]
    ICAA Record ID: 734565

  • La escritura crítica y su efecto : una reflexión preliminar
    Valdés, Adriana, 1943-
    1987
    Adriana Valdés discusses Margins and Institutions. Art in Chile Since 1973, the book by Nelly Richard. Valdés pays particular attention to “the writing scene,” which included Richard as well as others who contributed to the [...]
    ICAA Record ID: 738636

  • La función del video
    Colectivo Acciones de Arte
    2001
    This text written by members of the C.A.D.A (Colectivo Acciones de Arte) explains how the group approached video in two different ways, using it to document their actions and to create new works. The text underscores how video—which can be [...]
    ICAA Record ID: 744664

  • La novela chilena del grabado
    Mellado, Justo Pastor, 1949-
    1995
    In this essay Justo Pastor Mellado presents an extension of his theory concerning the vital contribution made by printing to the emergence of “modernity” in Chilean art. The text, arranged in 21 sections, describes the evolution of [...]
    ICAA Record ID: 736035

  • Los descontroles del sentido
    Richard, Nelly, 1948-
    1983
    In this text Nelly Richard offers a diagnostic on feminism in Chile and its connections to social sciences and art. The author refers to a Feminism (with a capital F) that developed in the social sciences, which became the predominant discourse and [...]
    ICAA Record ID: 732038

  • Los ojos de los enterrados
    Valdés, Adriana, 1943-
    1977
    In her essay about an exhibition of paintings by Roser Bru, Adriana Valdés refers to Bru’s portraits of Franz Kafka, Milena Jesenská, and Anne Frank, commenting on the sitters’ eyes and how they gaze out from the canvas to [...]
    ICAA Record ID: 740321

  • Love o la cita infectada
    Richard, Nelly, 1948-
    1988
    In her review of Love, a 1988 painting by Juan Domingo Dávila, Nelly Richard refers to ideas she had previously explored in La cita amorosa, jointly published with the artist a few years earlier. Harking back to that publication allows the [...]
    ICAA Record ID: 734844

  • Lucha cultural y política
    Brunner, José Joaquín, 1944-
    1982
    This text provides an analysis of what happens at a cultural level in a totalitarian society, which the author implies is a reference to Chile, and how political resistance is organized in such circumstances. One of the main features that José [...]
    ICAA Record ID: 731855

  • Madre patria
    Eltit, Diamela, 1949-
    1987
    Diamela Eltit writes about Juan Downey’s work on the occasion of his exhibition in Chile, Festival Downey. Eltit’s essay is divided into two sections: “La patria: todas las patrias” [The Homeland: All the Homelands] and &ldquo [...]
    ICAA Record ID: 735694

  • Pequeña novela del grabado chileno
    Mellado, Justo Pastor, 1949-
    1995
    Justo Pastor Mellado explains the reasons that motivated the Chilean submission to the X Mostra da Gravura, which was a desire to articulate a new artistic cartography. The hypothesis he lays out in this text points to formal movements in the field [...]
    ICAA Record ID: 736031

  • Proposición para (entre) cruzar espacios límites : comentario de la autora
    Rosenfeld, Lotty, 1943-2020
    1986
    This is Lotty Rosenfeld’s written commentary on her video-performance Proposiciones para (entre) cruzar espacios límites [Proposals for Intertwining/crossing Borderlands], which refers to the two frontiers involved in her project. First [...]
    ICAA Record ID: 744898

  • Reivindicación de la sentimentalidad como discurso
    Richard, Nelly, 1948-
    1982
    Nelly Richard discusses Gonzalo Díaz’s painting, which she sees as an example of a revitalizing trend in Chilean visual arts that, in her opinion, had been waning in recent art exhibitions during that time. Richard claims that Dí [...]
    ICAA Record ID: 731548

  • Retroactivaciones de un proceso
    Richard, Nelly, 1948-
    1983
    In this essay Nelly Richard addresses the new approach to painting taken by some artists in response to what she referred to as the Escena de Avanzada. In her review of the BENMAYOR/DIAZ/DITTBORN/DUCLOS/LEPPE exhibition, Richard discusses the [...]
    ICAA Record ID: 730159

  • Return to the pleasurable=La vuelta a lo placentero
    Richard, Nelly, 1948-
    1986
    Nelly Richard focuses on a number of artists as part of her assessment of the status of painting in Chile during the 1970s and 1980s. She discusses a selection of works by a group of artists who take a critical approach to the painting tradition, [...]
    ICAA Record ID: 743686

  • Roturas, memoria y discontinuidades (homenaje a W. Benjamin)
    Richard, Nelly, 1948-
    1994
    In this text Nelly Richard identifies some of Walter Benjamin’s ideas that, in her opinion, are relevant to works produced in Chile during the military dictatorship (1973–90) and the start of what was known as the “democratic [...]
    ICAA Record ID: 736059

  • Texto de Justo Mellado sobre "Tránsito suspendido"
    Mellado, Justo Pastor, 1949-
    1981
    In this essay, Justo Pastor Mellado reviews Tránsito suspendido, an art action presented by Carlos Altamirano. The work consists of a number of moments that are referred to in a newspaper story that the author uses to explain the steps [...]
    ICAA Record ID: 731739

  • Texto de Nelly Richard sobre 'Tránsito suspendido'
    Richard, Nelly, 1948-
    1981
    In this essay, Nelly Richard discusses Carlos Altamirano’s exhibition, Tránsito suspendido. The text includes aphorisms that refer to the organizing structure of the review. It also takes an experimental approach by alternating words in [...]
    ICAA Record ID: 731751

  • The rhetoric of the body=Las retóricas del cuerpo
    Richard, Nelly, 1948-
    1986
    Nelly Richard discusses the use of the human body as a support for a work of art. She refers to two art actions beginning in 1975. One of them was El perchero by Carlos Leppe; in the other, Raúl Zurita burned his face, photographed it, and [...]
    ICAA Record ID: 744815

  • Trazado de cruces sobre el pavimento
    Rosenfeld, Lotty, 1943-2000
    1982
    Lotty Rosenfeld describes the process for Una milla de cruces sobre el pavimento [A Thousand Crosses on the Pavement], an action she began in 1979. It consisted of adding a horizontal white line to the broken lines painted on paved roads, thus [...]
    ICAA Record ID: 731835

  • Un caso de producción de identidad artística
    Mellado, Justo Pastor, 1949-
    1995
    Justo Pastor Mellado discusses the evolution of Chilean painting, from its roots to the 1980s. He divides his essay into six sections that explore the field’s history, from José Gil de Castro to the early twentieth century, remembering [...]
    ICAA Record ID: 736039

  • Un filme subterráneo
    Eltit, Diamela, 1949-; Rosenfeld, Lotty, 1943-2000
    1982
    Diamela Eltit and Lotty Rosenfeld wrote this essay after the Círculo de Estudios de la Mujer invited them to take part in a conference commemorating International Women’s Day. Eltit and Rosenfeld had intended to show a pornographic film [...]
    ICAA Record ID: 731801

  • Una cita limítrofe entre neovanguardia y postvanguardia
    Richard, Nelly, 1948-
    1994
    Nelly Richard   discusses C.A.D.A. (Colectivo  Acciones de Arte), taking a critical look at the art action group’s relationship to what she called the Escena de Avanzada, a name she coined based on the group’s strategies [...]
    ICAA Record ID: 736055

  • Una herida americana
    Rosenfeld, Lotty, 1943-2020
    1986
    This is Lotty Rosenfeld’s written commentary on her video Una herida Americana [An American Wound]. She refers to the three interventions she performed, two of which involved painting crosses on roads. The first of the latter two took place in [...]
    ICAA Record ID: 744890

  • Una sola línea para siempre
    Muñoz, Gonzalo, 1956-
    1986
    This text is about Lotty Rosenfeld’s work, beginning with Una milla de cruces sobre el pavimento [A Mile of Crosses on the Pavement]. In his essay, Gonzalo Muñoz discusses the interest that Rosenfeld’s action stirred up as a [...]
    ICAA Record ID: 734557

  • Viuda
    Colectivo Acciones de Arte
    1985
    In 1985 C.A.D.A. (Colectivo Acciones de Arte) and the Movimiento Unitario Mujeres por la Vida joined forces to publish an insert in Análisis magazine. The insert featured a photograph of a woman whose husband had been murdered by agents [...]
    ICAA Record ID: 732034

  • Yacer incubada oval en la fotografía
    Eltit, Diamela, 1949-
    1987
    Diamela Eltit discusses Nelly Richard’s assessment of the Escena de Avanzada, explaining that, having been mentioned in Richard’s book, she finds herself in the paradoxical position of being a subject of the work in question as well as [...]
    ICAA Record ID: 738611