ICAA Researcher: Mariairis Flores, Fundación AMA, Santiago, Chile×
  • [Al ingresar al Atelier 17 de S. W. Hayter hace 20 años]
    Antúnez, Nemesio, 1918-1993
    1996
    In this text Nemesio Antúnez provides a brief description of Taller 99. He discusses the origin of the workshop and his association with Atelier 17 (founded in 1917) in Paris, where he completed his training as a printmaker, underscoring the [...]
    ICAA Record ID: 745065

  • A Nemesio Antúnez
    Neruda, Pablo, 1904-1973
    1988
    In this short text, the poet Pablo Neruda writes about Nemesio Antúnez, recalling when they met and the friendship they developed over time. He identifies the different stages of this painter-printmaker’s career by referring to the [...]
    ICAA Record ID: 769758

  • A propósito de "Margins and Institutions", y en el propósito de distanciamiento de su provocación y recorte: una extensión, una opción
    Brugnoli, Francisco, 1935-
    1987
    This article by Francisco Brugnoli is, as the title suggests, about the publication of Nelly Richard’s book Margins and Institutions. Art in Chile Since 1973. The text is divided into three points, which, in turn, are divided into sub-points. [...]
    ICAA Record ID: 738632

  • A propósito de Yanomami (1977)
    Olhagaray, Néstor, 1946-2020
    1987
    In this essay Néstor Olhagaray writes about Yanomami, the video by Juan Downey, focusing on specific moments or scenes. He analyzes the role of the “creator of images” who addresses a proposed fictional reality and its viewers. [...]
    ICAA Record ID: 735727

  • Alberto Pérez
    Brugnoli, Francisco, 1935-
    2003
    In this text Francisco Brugnoli writes a first-person account of his first meeting with Alberto Pérez and records his opinions of him as an artist and an art history teacher. Brugnoli thinks back to when he originally met Pérez, who was [...]
    ICAA Record ID: 756960

  • Arte, mujer, imagen
    Valdés, Adriana, 1943-
    2006
    In this essay Adriana Valdés discusses the production of women artists, and takes a sweeping look at women artists in Latin America and Chile. She follows María Zambrano’s lead regarding the cultural and historical forces that [...]
    ICAA Record ID: 775510

  • Chile
    Romera, Antonio R., 1908-1975
    1962
    In this essay Antonio Romera discusses the collection of works by Chilean artists that was sent to the Primera Bienal Americana de Arte in Argentina. He states that the roots of current Chilean painting in the 1960s can be traced back to three [...]
    ICAA Record ID: 750845

  • Claudio Bravo
    Galaz, Gaspar, 1941-
    1994
    This article was written by Gaspar Galaz on the occasion of a retrospective exhibition of works by Claudio Bravo at the Museo Nacional de Bellas Artes in Santiago, Chile. Galaz refers to a debate about art and how it should be defined that was [...]
    ICAA Record ID: 766994

  • Confesión artística
    Balmes, José, 1927-
    1965
    In this essay José Balmes writes about his work and shares some thoughts on “contemporary painting.” He recalls how he started painting when he was a young man in Catalonia, then moved to Chile after the Spanish Civil War and [...]
    ICAA Record ID: 748623

  • Cuerpo sin alma : acerca del mecanismo de la cita en el materialismo pictórico de Juan Dávila
    Richard, Nelly, 1948-
    1983
    Nelly Richard writes about Juan Domingo Dávila’s paintings, which rely on quotes, referring to the concept of “bodies” in each of the nine sections in the text. Richard explains how quotes can dismantle the whole and, with it [...]
    ICAA Record ID: 730158

  • Dobleces y plegaduras
    Richard, Nelly, 1948-
    1985
    Nelly Richard writes about Eugenio Dittborn’s airmail paintings, discussing the folds and marks that are created as they travel through the postal system and what they mean. In her opinion, these “production marks” should be [...]
    ICAA Record ID: 735222

  • El deseo de archivo de Guillermo Nuñez
    Mellado, Justo Pastor, 1949-
    2003
    In 2003 Justo Pastor Mellado wrote an essay for the catalogue for La quinta del sordo, the exhibition of works by Guillermo Núñez. On this occasion Mellado looks back to the retrospective Núñez presented in 1993, for which [...]
    ICAA Record ID: 757295

  • El ojo y la mano
    Machuca, Guillermo, 1961-2020
    1996
    Guillermo Machuca analyzes the work that Arturo Duclos produced in the 1980s (his first period) and then in the 1990s. The artist’s work, which is indifferent to the goals pursued by language (signs and meanings), forgets past references and [...]
    ICAA Record ID: 757085

  • El olor del aguarrás
    Downey, Juan, 1940-1993
    1987
    In this article, Juan Downey alternates between questions and certainties as he writes about video, the medium he used to create his body of work. The title refers to a phrase attributed to Marcel Duchamp, who supposedly said that artists keep [...]
    ICAA Record ID: 735687

  • El poema de amor de Francisco J. Smythe
    Zurita, Raúl, 1950-
    1992
    ICAA Record ID: 754200

  • El realismo crítico de José Balmes
    Mellado, Justo Pastor, 1949-
    1996
    Justo Pastor Mellado writes about the life and work of José Balmes, taking as his starting point an exhibition of two of the painter’s works that Mellado defines as paradigmatic: No (1972) and El luche (1994), both of which are [...]
    ICAA Record ID: 778658

  • Entrevista a Carlos Altamirano sobre el dispositivo del grabado
    Altamirano, Carlos, 1954-
    1977
    In this interview, on the occasion of his exhibition at the Galería Cromo de Santiago (1977), the artist Carlos Altamirano answers five basic questions about his work. The questions, which relate to an early period in his career, address the [...]
    ICAA Record ID: 731766

  • Enunciar, anunciar, denunciar : el arte como archivo
    Eltit, Diamela, 1949-
    2003
    In this text Diamela Eltit writes about Guillermo Núñez’s artwork on the occasion of a retrospective exhibition of his works. She discusses the political violence to which he was subjected during the military dictatorship (1973& [...]
    ICAA Record ID: 757287

  • Escena de Avanzada
    Mellado, Justo Pastor, 1949-
    1997
    Justo Pastor Mellado discusses the Escena de Avanzada twenty years after Nelly Richard coined the term. Though it originally had militant undertones, the term evolved into a historical category. It applied to a set of texts and artworks that Richard [...]
    ICAA Record ID: 756828

  • fantasmas pretéritos (preterite ghosts)
    Christ, Ronald J.
    1977
    Ronald Christ writes about Catalina Parra’s exhibition Imbunches and mentions a childhood anecdote that evokes the work. He explains that the artist explores different forms of silencing, and her work therefore defies interpretation. The author [...]
    ICAA Record ID: 740245

  • Galaz-Ivelic responden
    Galaz, Gaspar, 1941-; Ivelic, Milan, 1935-
    1982
    As the title implies, this is the response from Milan Ivelic and Gaspar Galaz to the criticisms that appeared following the publication of their jointly written book, La pintura en Chile desde la Colonia hasta 1981 [Painting in Chile from Colonial [...]
    ICAA Record ID: 731672

  • Grupo "Montparnasse" José Perotti, o un diálogo en la Casa Rivas y Calvo
    Emar, Juan, 1893-1964
    2003
    Jean Emar and José Perotti cowrote a dialogue in which they delivered a scathing commentary on Nathanael Yáñez Silva’s critique of the Grupo Montparnasse’s first exhibition. The barbs in their published text made it [...]
    ICAA Record ID: 750279

  • Grupo "Montparnasse". En la casa Rivas y Calvo, exposición de las obras de Manuel Ortíz, Julio Ortíz, Henriette Petit, José Perotti y Vargas Rosas
    Emar, Juan, 1893-1964
    2003
    In this essay, Jean Emar writes about the Grupo Montparnasse’s first exhibition and its origins. He discusses the group’s name, which, for its five members, was neither a painting trend nor an objective; it was simply a referent. He [...]
    ICAA Record ID: 750202

  • Intervención viernes 13 de mayo
    Mellado, Justo Pastor, 1949-
    1983
    Justo Pastor Mellado discusses the unofficial shipment of Chilean art to the 12th Paris Biennial arranged by Nelly Richard, which he describes as a key moment in the birth of the Escena de Avanzada. Mellado also focuses on several landmark art events [...]
    ICAA Record ID: 749169

  • Intervención viernes 20 de mayo
    Mellado, Justo Pastor, 1949-
    1983
    In 1983 Justo Pastor Mellado addressed some discussions that were begun a couple of years earlier in his essay about Tránsito suspendido, the exhibition of works by Carlos Altamirano. He described this text as a second part, focusing the [...]
    ICAA Record ID: 749179

  • Intervención viernes 3 de junio
    Mellado, Justo Pastor, 1949-
    1983
    Justo Pastor Mellado wrote three interventions for the Seminario de interpretación de la coyuntura plástica. This third “polemical” text ranges from what was taking place in the visual arts field in Chile to what was [...]
    ICAA Record ID: 749190

  • Introducción
    Zegers, Francisco, 1953-2012
    1986
    Francisco Zegers wrote the introduction to Desacato (Disobedience), the book about Lotty Rosenfeld, which he edited. Zegers begins by explaining that Desacato is about Rosenfeld’s work, how it was produced, and the interpretations it suggests [...]
    ICAA Record ID: 744924

  • Introduction=Introducción
    Richard, Nelly, 1948-
    1986
    This is Nelly Richard’s “Introduction” to her book Margins and Institutions. Art in Chile Since 1973, in which she outlines the concept of the Escena de Avanzada. The “advanced scene” flourished in an unofficial sector [...]
    ICAA Record ID: 738523

  • Juan Francisco González
    Prado, Pedro, 1886-1952
    1947
    Pedro Prado writes about Juan Francisco González after he had passed away, referring to him as “his teacher,” the teacher who taught him how to see as a painter, to find the beauty in his surroundings. Prado describes Gonzá [...]
    ICAA Record ID: 765570

  • La experiencia estética como expresión y creación de formas
    Oyarzún, Luis, 1920-1972
    1956
    In this essay Luis Oyarzún shares his tenets about art, describing it in aesthetic terms as an artistic experience that can be translated (via sensitive forms) in communication to express private or personal ideas. He suggests that self- [...]
    ICAA Record ID: 770390

  • La Lira Popular y la tradición chilena del grabado en madera
    Millar, Pedro, 1930-2014
    1990
    In this essay, the printmaker Pedro Millar reflects on the lira popular [that is, printed poetic forms illustrated with singular woodcuts], a Chilean folk tradition, as the antecedents to wood engraving in Chile. Accompanying the article was an [...]
    ICAA Record ID: 766965

  • La madre fotografía
    Ferrer, Rita
    2002
    In this essay, Rita Ferrer discusses photography based on an international critique of several periods. She refers to authors such as Roland Barthes, Charles Baudelaire, and the Chilean artist Carlos Leppe, claiming that they all share a “ [...]
    ICAA Record ID: 773582

  • La manufactura del paisaje
    Mellado, Justo Pastor, 1949-
    1989
    In this essay, written for the solo show of works by Patricio de la O, the art critic and curator Justo Pastor Mellado discusses the catalogue, the gallery, and the relevant demands on both the painter and the painting itself. Pastor Mellado claims [...]
    ICAA Record ID: 757713

  • La persistencia de lo discontínuo
    Brugnoli, Francisco, 1935-
    1999
    Francisco Brugnoli reviews the work of Matilde Pérez in terms of persistence and discontinuity. In his essay, he theorizes about art’s role as a means of communication and provides a historical perspective on the evolution of a kind of [...]
    ICAA Record ID: 756913

  • La persistencia programática de una década
    Mellado, Justo Pastor, 1949-
    1999
    In this essay Justo Pastor Mellado discusses Quadrivium, the exhibition of works by Gonzalo Díaz, presenting a critical overview of the latter’s production since 1982. Mellado’s review could be split into two parts, each of which [...]
    ICAA Record ID: 735491

  • La pintura de Carlos Pedraza
    Oyarzún, Luis, 1920-1972
    1966
    Luis Oyarzún writes about the body of work that the painter Carlos Pedraza produced over the course of his three-decade career. According to Oyarzún, Pedraza attained a measure of skill in the areas he explored and, like Pablo Burchard [...]
    ICAA Record ID: 764894

  • La pintura de Hernán Gazmuri
    Romera, Antonio R., 1908-1975
    1994
    In this essay, Antonio Romera discusses Hernán Gazmuri’s art career. Despite its merits, Gazmuri’s work has been ignored or forgotten. Romera mentions the artist’s referents, his teachers in Chile, and André Lhote& [...]
    ICAA Record ID: 750435

  • La torre de Los Diez
    Prado, Pedro, 1886-1952
    1916
    Pedro Prado describes an architectural project undertaken by the group known as Los Diez. He is referring to “La Torre de Los Diez,” which they planned to build in a remote, quiet, free location with no great requirements as far as its [...]
    ICAA Record ID: 750456

  • Las estructuras elementales de la transferencia teórica
    Mellado, Justo Pastor, 1949-
    1995
    In this text Justo Pastor Mellado discusses the concept of “theoretical transference,” an idea that is mentioned in several of his publications. He uses two fictional models: one refers to the origin myth in Chilean painting, the other to [...]
    ICAA Record ID: 736043

  • Los pintores en el grupo de los Diez
    Galaz, Gaspar, 1941-
    1976
    Gaspar Galaz writes about the Grupo de Los Diez, describing how the group began and providing some historical context. He gives a broad explanation about how the group operated and goes on to discuss the painters in the group and their works. He [...]
    ICAA Record ID: 765424

  • Magia y laberinto
    Galaz, Gaspar, 1941-
    1994
    In this text Gaspar Galaz writes about the prints produced by Jaime Cruz. He discusses the ones from the 1960s, which are representative of Cruz’s early work in this medium. Galaz also refers to the dominant trends in art at that time, the [...]
    ICAA Record ID: 767046

  • Mobiliario e indicialidad en la obra de Alicia Villarreal
    Mellado, Justo Pastor, 1949-
    1997
    In this essay Justo Pastor Mellado discusses four works produced by Alicia Villarreal in 1996–97 that were shown at various exhibitions. He sees similarities in them, in both thematic and material terms, based on their focus on books and [...]
    ICAA Record ID: 773527

  • Mónica Bengoa. Al son de un suave y blando movimiento
    Valdés, Adriana, 1943-
    2006
    Adriana Valdés wrote this essay for the catalogue for an exhibition of works by Mónica Bengoa. Organizing her text around six themes, Valdés writes about stories, pixels, the unspeakable, “To the sound of a smooth, soft [...]
    ICAA Record ID: 775512

  • Noreshi Towai
    Downey, Juan, 1940-1993
    1987
    In this essay Juan Downey describes what he experienced while immersed, with his camera, in several indigenous tribes in Venezuela and Brazil. His goal was to make recordings that would facilitate connection with such environments, claiming that the [...]
    ICAA Record ID: 735718

  • Nota sobre la pintura de Patricio de la O
    Mellado, Justo Pastor, 1949-
    1998
    In this text written for an exhibition of works by Patricio de la O, the art critic and curator Justo Pastor Mellado reviews the artist’s painting from his student days until his return to Chile after living in exile from 1974 to 1978 during [...]
    ICAA Record ID: 756787

  • Notas de viaje
    Bertrand Vidal, Julio, 1888-1918
    2004
    This document includes excerpts from the personal travel log of the Chilean experimental photographer Julio Bertrand Vidal, who died at an early age. The texts range from 1907 to 1911, and the log tracks his travels in Europe, noting the places he [...]
    ICAA Record ID: 749932

  • Nueva York, abril 1990
    Downey, Juan, 1940-1993
    1995
    In this poetic, thoughtful essay, Juan Downey discusses his ideas about decadence based on a description of conditions and feelings. Downey, the Chilean artist who lived in New York City, explains that, from a third-world perspective, the decline of [...]
    ICAA Record ID: 745642

  • Ocupación de una página como soporte de arte
    Altamirano, Carlos, 1954-
    1979
    An art project by Carlos Altamirano is displayed on both sides of this page, which appeared in CAL, the magazine published by the eponymous gallery in Santiago. The work claims that “art needs your response” in an attempt to encourage [...]
    ICAA Record ID: 731451

  • Palabras para la inauguración de una pequeña muestra retrospectiva de pintura chilena
    Lihn, Enrique, 1929-1988
    1964
    Enrique Lihn introduces an exhibition of Chilean painting that includes modern works. He discusses what it means for a viewer to relate to figurative or non-figurative (abstract) works. He claims that, when faced with a work of art that “ [...]
    ICAA Record ID: 750644

  • Paz Errázuriz y el tango
    Lihn, Enrique, 1929-1988
    1988
    In this essay, Enrique Lihn discusses the Tango series of photographs by Paz Errázuriz, based on a review of the works of authors who have written about the origins and lyrics of this particular style of music and dance. Lihn claims that & [...]
    ICAA Record ID: 773616