ICAA Researcher: Mariairis Flores, Fundación AMA, Santiago de Chile×
  • [1. Ey, principal...]
    Dittborn, Eugenio, 1943-
    1981
    Eugenio Dittborn published a poetic-visual creation in La Separata: a text illustrated with a photograph taken by Carlos Gallardo. Dittborn’s poetic prose is based on three points whose sequence produces a similar structure. It begins with & [...]
    ICAA Record ID: 731861

  • Addenda
    Kay, Ronald, 1941-
    2005
    In this essay Ronal Kay describes photography as a cross between time and space. The documentary and testimonial potential that images possess stems from the fact that they emerge at the intersection between temporality and spatiality. Kay claims [...]
    ICAA Record ID: 749244

  • Gracia Barrios
    Mellado, Justo Pastor, 1949-
    1995
    Justo Pastor Mellado studied the work of Gracia Barrios in great detail. He suggests that her career could be divided into two phases that were not chronological but rather two different ways of approaching painting. He dubs one of them an optical- [...]
    ICAA Record ID: 739576

  • Juan Downey : el dibujo como paradoja
    Sabbatino, Mary
    1995
    Mary Sabbatino discusses Juan Downey’s work in depth, paying particular attention to the connection between his drawings and his videos. According to Sabbatino, drawing formed the basis of Downey’s methodology. She notes that he was [...]
    ICAA Record ID: 739194

  • La disputa de la cita bíblica
    Mellado, Justo Pastor, 1949-
    1983
    In this review of an exhibition of works by Juan Domingo Dávila, the curator and art critic Justo Pastor Mellado posits a connection between the artist’s work and three critical works (by Eugenio Dittborn, Carlos Altamirano, and Gonzalo [...]
    ICAA Record ID: 730683

  • La función del video
    Rosenfeld, Lotty, 1943-2020; Eltit, Diamela, 1949-
    2001
    In this text Diamela Eltit and Lotty Rosenfeld explain the role of video in their work. They started working with video in 1979, using it to record ephemeral actions, and describe it as a “memory.” They discuss ways in which this tool [...]
    ICAA Record ID: 744687

  • La regresión de la situación cultural
    Dávila, Juan, 1946-
    1983
    In this essay, Juan Domingo Dávila presents a critical overview of painting in general and a more specific discussion about his own work. He addresses two issues. First, he claims that the “return to painting” is an expression of [...]
    ICAA Record ID: 731457

  • Postdata
    Valdés, Adriana, 1943-
    1999
    In 1998, Adriana Valdés discusses “Estudios sobre la felicidad” and the review she had written about this work by Alfredo Jaar. She refers to the concepts known as the “open work” (Umberto Eco, 1962) and “ [...]
    ICAA Record ID: 730239

  • ronald kay : N.N. : aUTOPsIA (rudimentos teóricos para una visualidad marginal)
    Kay, Ronald, 1941-
    1979
    In this essay, divided into five sections, Ronald Kay analyzes and describes certain aspects of Eugenio Dittborn’s work. In “El cuerpo que mancha” (The Body that Stains) Kay discusses the body’s various fluids in terms of [...]
    ICAA Record ID: 751255

  • Texto legible y texto visible
    1981
    Miscellaneous articles and references to art in Chile during the Pinochet dictatorship (1973–89). The publication provides quotes from multiple sources, including members of the Chilean art world at the time and their theoretical-literary [...]
    ICAA Record ID: 732022