ICAA Researcher: Maria Hirszman×
  • A aridez dos anos 80
    Camargo, Mônica Junqueira de, 1953-; Mendes, Ricardo, 1955-
    This article by Mônica Junqueira de Camargo analyzes the creation, circulation and consumption of photography in Brazil, especially in the centers (Rio de Janeiro and São Paulo). Her analysis shows the disenchantment that emerges in the photography [...]
    ICAA Record ID: 1110927

  • A evolução da fotografia nas últimas décadas : panorama internacional e suas repercussões no Brasil
    Kossoy, Boris, 1941-
    The journalist Boris Kossoy emphasizes the professionalization of the field of photography and the growth of the photography art market in Brazil; in his opinion, this creates advantages and disadvantages. On the one hand, it would be an advantage [...]
    ICAA Record ID: 1110896

  • A imagem pré-fotográfica, fotográfica, pós-fotográfica
    Santaella, Lucia
    In this text, researcher Lucia Santaella formulates a study that identifies and examines the changes in paradigm for the production, storage, exhibition, and reception of the image in different registers of the human psyche. She associates the [...]
    ICAA Record ID: 1110929

  • A mulher é o corpo
    Amaral, Aracy A., 1930-
    In this presentation of an exhibition of work by Rosana Paulino held in 1997, art critic Aracy Amaral places emphasis on innovative features of Paulino’s work that mark a break with the Brazilian art scene of the time. She specifically mentions [...]
    ICAA Record ID: 1111061

  • Apresentação
    Magalhães, Angela; Peregrino, Nadja, 1949-; Máttar, Paulo
    This text was the introduction to the exhibition Fotografia Contemporânea do Pará - Novas Visões, held in Rio de Janeiro (Fundação Nacional de Artes - Funarte) as well as at Niterói (Universidade Federal do Rio de Janeiro), both in 1998. The [...]
    ICAA Record ID: 1111167

  • As relações futuras do homem com a máquina
    Bril, Stefania
    In the opinion of Stefania Bril, Vilém Flusser’s attempt to categorize photography according to a number of concepts—as both Roland Barthes and Susan Sontag had done before him, articulating “post-historical” thinking in the process— [...]
    ICAA Record ID: 1110897

  • Dança cromática nas ruas de Belém
    Machado, Arlindo
    Arlindo Machado believes Luiz Braga’s camera can capture the colors seen everywhere on the streets in the port neighborhood of Belém (Pará) without succumbing to the traditional distancing that a colonial attitude will insert between the lens and [...]
    ICAA Record ID: 1111166

  • Mameluquices e cabanagens
    Herkenhoff, Paulo
    On the occasion of the XI Salão Arte-Pará held in 1992, Paulo Herkenhoff provides an overview of photography from the Equator region of northern Brazil. He compares the production from the state of Pará and its capital city Belém to that of the [...]
    ICAA Record ID: 1111170

  • O corpo como destino
    Milliet, Maria Alice
    In this text, published in the catalogue for an exhibition held at the Galeria Raquel Arnaud in 1993, Maria Alice Milliet sets forth an overall analysis of the artwork of Nazareth Pacheco. In this artist, the writer sees a set of qualities capable of [...]
    ICAA Record ID: 1111065

  • Um espaço para a fotografia
    Amaral, Aracy A., 1930-
    In this text written by Aracy Amaral on the occasion of the opening of the Espaço Fotóptica/MAC-USP—a space dedicated to photography at the Museu de Arte Contemporânea da Universidade de São Paulo that Amaral directed—the author defends the [...]
    ICAA Record ID: 1111199

  • Visualidade na Amazônia : a questão da fotografia
    Magalhães, Angela; Peregrino, Nadja, 1949-
    The writers set forth a range of photographic work produced in the north-Brazilian State of Pará. They describe photographs starting with the early records taken by 19th century travelers (undoubtedly a highly important research source), through [...]
    ICAA Record ID: 1111176