ICAA Researcher: Luz Muñoz×
  • La pintura : su candente realidad
    Ivelic, Milan, 1935-; Galaz, Gaspar, 1941-
    Milan Ivelic and Gaspar Galaz developed this questionnaire to be used in their conversations with Mario Carreño, Carmen Aldunate, Rodolfo Opazo, and Ricardo Yrarrázaval about their painting and what they were working on at that time ( [...]
    ICAA Record ID: 749631

  • A Juan Castillo; en el retorno al descampado visible
    Balcells, Fernando
    The sociologist Fernando Balcells wrote this essay for the catalogue for Te devuelvo tu imagen, ocupación, the exhibition of works by Juan Castillo (who, like Balcells, was a member of the group Colectivo Acciones de Arte [CADA, Art Action [...]
    ICAA Record ID: 749496

  • Carta sobre el grabado
    Antúnez, Nemesio, 1918-1993
    Nemesio Antúnez shares his thoughts and discusses his printmaking experiences and his training under William Hayter. He recalls incidents with famous artists at the Atelier 17 and the circumstances that led him to set up the Taller 99 in his [...]
    ICAA Record ID: 749419

  • Intervención viernes 3 de junio
    Mellado, Justo Pastor, 1949-
    Justo Pastor Mellado wrote three interventions for the Seminario de interpretación de la coyuntura plástica. This third “polemical” text ranges from what was taking place in the visual arts field in Chile to what was [...]
    ICAA Record ID: 749190

  • Intervención viernes 20 de mayo
    Mellado, Justo Pastor, 1949-
    In 1983 Justo Pastor Mellado addressed some discussions that were begun a couple of years earlier in his essay about Tránsito suspendido, the exhibition of works by Carlos Altamirano. He described this text as a second part, focusing the [...]
    ICAA Record ID: 749179

  • Intervención viernes 13 de mayo
    Mellado, Justo Pastor, 1949-
    Justo Pastor Mellado discusses the unofficial shipment of Chilean art to the 12th Paris Biennial arranged by Nelly Richard, which he describes as a key moment in the birth of the Escena de Avanzada. Mellado also focuses on several landmark art events [...]
    ICAA Record ID: 749169

  • Crítica; historia. Sobre el libro Márgenes e Instituciones de Nelly Richard
    Oyarzún Robles, Pablo, 1950-
    This is Pablo Oyarzún’s critical review of Nelly Richard’s book Márgenes e Instituciones (Margins and Institutions). He acknowledges her role in the field of Chilean art and her contributions to a new approach to art [...]
    ICAA Record ID: 741255

  • Juan Downey : el dibujo como paradoja
    Sabbatino, Mary
    Mary Sabbatino discusses Juan Downey’s work in depth, paying particular attention to the connection between his drawings and his videos. According to Sabbatino, drawing formed the basis of Downey’s methodology. She notes that he was [...]
    ICAA Record ID: 739194

  • A propósito de "Margins and Institutions", y en el propósito de distanciamiento de su provocación y recorte: una extensión, una opción
    Brugnoli, Francisco, 1935-
    This article by Francisco Brugnoli is, as the title suggests, about the publication of Nelly Richard’s book Margins and Institutions. Art in Chile Since 1973. The text is divided into three points, which, in turn, are divided into sub-points. [...]
    ICAA Record ID: 738632

  • "La pintura en Chile" de Galaz e Ivelic : una instancia redefinitoria para el arte chileno
    Richard, Nelly, 1948-
    This is Nelly Richard’s critical review of La pintura en Chile: desde la Colonia hasta 1981 (Painting in Chile: From the Colonial Period to 1981), the book cowritten by Milán Ivelic and Gaspar Galaz. Richard takes issue with a number of [...]
    ICAA Record ID: 731869

  • [Untitled]
    This unsigned article reviews the works of the Colectivo Acciones de Arte (CADA), the art action group that took the name used as the title of the article in question: Para no morir de hambre en el arte (To Avoid Dying of Hunger [or Starving to [...]
    ICAA Record ID: 730226