ICAA Researcher: Juan David Berrío×
  • "Nada está flotando..."
    Gutiérrez, Natalia, 1954-
    In this essay, which is the introduction to the book Ciudad–Espejo [City–Mirror] (2009), the Colombian critic Natalia Gutiérrez bases her review of Colombian contemporary art on the works presented at the 39 Salón Nacional de Artistas [39th [...]
    ICAA Record ID: 1099231

  • Alberto Baraya o el arte de desplegar, coleccionar en fin, el arte de encontrar las relaciones que están ahí y que no vemos
    Gutiérrez, Natalia, 1954-
    In this article, the critic Natalia Gutiérrez reviews a number of works by Alberto Baraya, such as his photomontages in Proyecto recorridos (1997–98), Mitificación artificial de una pintura (1998), Herbario de plantas artificiales (2002−), and [...]
    ICAA Record ID: 1130395

  • Corte en el ojo : Miguel Ángel Rojas
    Gutiérrez, Natalia, 1954-
    This text is a criticism written by Natalia Gutiérrez of the work, Corte en el ojo [Cut in the Eye](2000), by Miguel Ángel Rojas. She develops it based on ideas of “place” and “no place,” as well as the paradox between them established by [...]
    ICAA Record ID: 1099051

  • El jardinero infiel : Alberto Baraya, artista... plástico
    Junca, Humberto, 1968-
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1100916

  • El río: guía de expedición por el Putumayo
    Baraya, Alberto, 1968-
    This document was published in the Colombian cultural magazine piedepágina [Footer] (2004–7); it includes the artist Alberto Baraya’s account of his travels up the Putumayo and Amazon rivers on a Colombian military boat as a documentary maker [...]
    ICAA Record ID: 1132176

  • Entrevista a Miguel Ángel Rojas : Bogotá, 2000
    Gutiérrez, Natalia, 1954-
    The Colombian critic Natalia Gutiérrez interviews Miguel Ángel Rojas, asking questions about Corte en el ojo [Cut in the Eye] (2000), the work Rojas presented at the 39th Salón Nacional de Artistas [National Artists Salon] (2004). The interview [...]
    ICAA Record ID: 1099201

  • Face Value : video contemporáneo colombiano
    Roca, José Ignacio
    In this essay, José Ignacio Roca describes the theoretical guidelines he observed while curating Face Value (2002) and discusses the videos produced by nine contemporary Colombian artists that he included in his project for the Latin American [...]
    ICAA Record ID: 1099516

  • Ficciones artificiales : representaciones culturales en el trabajo de Alberto Baraya
    Cerón, Jaime, 1967-
    In this document, Jaime Cerón reviews the work of the Colombian artist Alberto Baraya, discussing his early works such as Autorretrato según van Eyck [Self-Portrait in the Style of van Eyck] (1988) and Mitificación artificial de una pintura [ [...]
    ICAA Record ID: 1132048

  • Humberto Junca
    Ordoñez, Iván
    In 2009, the journalist Iván Ordoñez interviewed the artist and critic Humberto Junca; this is the record of that interview, which appeared in Privado. Entrevistas con artistas [Private: Interviews with Artists], a website that publishes interviews [...]
    ICAA Record ID: 1131354

  • Manual
    Cerón, Jaime, 1967-
    This article, entitled “Manual,” by the art critic and curator Jaime Cerón, appeared in a magazine devoted to the work of Humberto Junca. It was published on the occasion of Junca’s participation in Enfoques [Focuses] (2006), the program that [...]
    ICAA Record ID: 1131451

  • Morelos Delcy : color que soy = The color I am
    Mosquera, Gerardo
    In this essay, the Cuban critic and curator Gerardo Mosquera analyzes Color que soy [The Color I Am] (1999) by the Colombian artist Delcy Morelos in terms of its pictorial language, and discusses how this language prompts a range of different [...]
    ICAA Record ID: 1099441

  • Rinocerontes colombianos : mirada a unos animales en el arte
    Mejía, Juan, 1966-
    In this essay, the Colombian artist and theoretician Juan Mejía discusses independently two images of a rhinoceros, each of which appeared at different times in the history of Colombian art. The first image is part of a mural painted on the wall of [...]
    ICAA Record ID: 1099216