Documents of Latin American and Latino Art

The art critic Ronaldo Brito weighs the interventions proposed in a space by Umberto Costa Barros, observing that the artist’s work sets forth real data as well as the material nature of an art space. He also comments that there is a whole concept [...]

According to the critic and curator Roberto Pontual, 1975 was a turning point that ushered in a period of renewed creative activity in Brazil, as evidenced by the different movements that emerged on the heels of the downturn in art production in the [...]

In his review of exhibitions held in 1981, Frederico Morais mentions the role of the curator as an emergent figure in the art world of Rio de Janeiro. He goes on to discuss the challenge faced by young artists working with more traditional approaches [...]