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¿Feliza Krugman o Irene Bursztyn?
1974The article “¿Feliza Krugman or Irene Bursztyn?” is the transcription of two texts read by Álvaro Medina on the program Orientación Plástica aired on Radio Nacional de Colombia on April 27 and May 3 (both Fridays), 1974. Medina accuses [...]ICAA Record ID: 1088241 -
Análisis de la obra de Feliza Burstyn [sic]
1974This article, entitled “Análisis de la obra de Feliza Burstyn” [Analysis of Feliza Burstyn’s Work], was published on September 25, 1974 in the Cali-based newspaper El País. It is one of the responses to art critic and historian Álvaro Medina [...]ICAA Record ID: 868498 -
Autorreflexiones de la pintura : Carlos Salas en la galería el museo
1994In this text, Carmen María Jaramillo reviews Autorreflexiones de la pintura, an exhibition of work by Colombian painter Carlos Salas’s held at Galería El Museo in Bogotá in 1994. Jaramillo addresses the formal aspects of Salas’s art as well as [...]ICAA Record ID: 1133157 -
Burztyn [sic] por encima de toda sospecha
1974“Burztyn [sic] above any suspicion” is the title of Marta Traba’s response to an accusation of plagiarism concerning the installation Las Camas [The Beds] by the sculptor Feliza Bursztyn in 1974 at the Museo de Arte Moderno [Museum of Modern [...]ICAA Record ID: 1075979 -
Debate al arte nacional : responden Luis Caballero y Álvaro Barrios
1981In an interview for Bogotá-based newspaper El Tiempo, Colombian artists Álvaro Barrios and Luis Caballero discuss their expectations for the art scene in the new decade (the eighties). They address specifically the lack of art criticism in Colombia [...]ICAA Record ID: 1132837 -
Declaración de los intelectuales frente al paro nacional
1957“Declaración de los intelectuales colombianosdurante el paro general” is an open letter dated May 8, 1957 published in issue No. 13 of the magazine Mito. It is signed by twenty-five people, among them politicians, writers, poets, and artists. [...]ICAA Record ID: 1185102 -
El monumento a López es un horror
1967“El Monumento a López es un Horror” [The Monument to López is a Horror] is the title of the article by Héctor Muñoz published in El Espectador on Friday, June 16, 1967. It compiles different opinions on the aesthetic and political [...]ICAA Record ID: 1087583 -
En un país de machistas, ¡hágase la loca!
1979This interview was conducted by Maritza Uribe de Urdinola, the founder of the Museo de Arte Moderno La Tertulia (Cali, Colombia). Published in the magazine Carrusel in the daily newspaper, El Tiempo, the interview was practically a monologue [by [...]ICAA Record ID: 858193 -
Felisa [sic] Bursztyn : la mujer de las camas
1975“Felisa [sic] Bursztyn: La mujer de las camas” [Felisa [sic] Bursztyn: The woman of the beds] is an article (part story and part interview) written by Beatriz Zuluaga after a visit to Feliza Bursztyn’s workshop around 1975. The interview [...]ICAA Record ID: 858154 -
Feliza "Baila" en Cali
1979“Feliza ‘Baila’ en Cali” [Feliza ‘Dances’ in Cali], is an interview of Feliza Bursztyn by Maritza Uribe de Urdinola conducted in 1979. With precise questions, Urdinola reviews the artist’s work and career from her early, remarkable [...]ICAA Record ID: 858174 -
Feliza Bursztyn y el arte en latas de Nescafé : La escultura de chatarra
1964“Feliza Bursztyn y el Arte en Latas de Nescafé” [Feliza Bursztyn and Art in Coffee Cans] is part article and part interview conducted by Enrique Santos Calderón. Serving as the editor of university news at El Tiempo in Bogotá in 1964, Santos [...]ICAA Record ID: 858236 -
La densa nube del ser
1958In his article “La Densa Nube del Ser” [The Dense Cloud of the Self], published in El Espectador in Bogotá on October 12, 1958, the Colombian poet, writer, and publisher of the cultural magazine Mito [Myth] Jorge Gaitán Durán waxes poetic in [...]ICAA Record ID: 1089118 -
La poesía de la chatarra : la exposición de Feliza Burztyn
1964The Austrian critic and art historian Walter Engel wrote the article “La Poesía de la Chatarra” [The Poetry of Scrap Metal] that appeared in El Espectador on October 4, 1964, on the occasion of the second solo exhibition of sculpture by Feliza [...]ICAA Record ID: 1089092 -
Un exquisito “déja vu”
1988“Un exquisito ‘déjà vu’”is an article written by the critic and historian José Hernán Aguilar. It is a review of an exhibition of paintings by Carlos Salas. The article begins by describing what the author sees as a paradoxical problem [...]ICAA Record ID: 1133804