ICAA Researcher: Ana María Rodríguez×
  • ¿Arquitectura emocional?
    Goeritz, Mathias, 1915-1990
    1960
    In 1952, Daniel Mont invited Mathias Goeritz to construct “whatever he wanted.” Given such freedom, the sculptor developed the idea of Arquitectura Emocional [Emotional Architecture]: a structure that would contain the arts with the purpose of [...]
    ICAA Record ID: 741755

  • "The Route of Friendship" : sculpture
    Goeritz, Mathias, 1915-1990
    1970
    Mathias Goeritz describes two projects proposed to the then-president of the organizing committee of the 19th Olympic Games, architect Pedro Ramírez Vázquez: the International Meeting of Sculptors and The Route of Friendship. The artist describes [...]
    ICAA Record ID: 741733

  • [Muchos son los pintores y escultores que han trabajado...]
    Goeritz, Mathias, 1915-1990
    1959
    Through diverse photographs, Mathias Goeritz shows the development of what he calls the “problem” of Integración Plástica [Plastic Integration], a dogmatic movement in which the architect Mario Pani actively participated together with several [...]
    ICAA Record ID: 741770

  • Aclaración
    Goeritz, Mathias, 1915-1990
    1962
    Mathias Goeritz announces that this issue of the magazine Arquitectura México is dedicated to the examples of architecture and religious art current at the time. He argues that—even though in some works of secular art a greater “religiosity” [...]
    ICAA Record ID: 751329

  • Advertencia
    Goeritz, Mathias, 1915-1990
    1959
    With this essay, Mathias Goeritz introduces the Art Section of the magazine Arquitectura México. In this first “Warning,” the author affirms that once visual education and abstract design are officially accepted, no “avant-garde” will exist [...]
    ICAA Record ID: 741745

  • Advertencia
    Goeritz, Mathias, 1915-1990
    1961
    In response to a series of overwhelming news published in the press that month, not having enough time to reflect upon it and adopt a position, Mathias Goeritz wonders what type of art should correspond to these, our times. He insists on placing the [...]
    ICAA Record ID: 741783

  • Advertencia a la crítica
    Goeritz, Mathias, 1915-1990
    1960
    In view of the results of the Segunda Bienal Interamericana de México [Second Inter- American Biennial of Mexico]that took place in the Palacio de Bellas Artes, Mathias Goeritz’s opinion is that if what is being exhibited has something to do with [...]
    ICAA Record ID: 741803

  • Auto - Advertencia
    Goeritz, Mathias, 1915-1990
    1960
    To present this issue of the Art Section dedicated to Las Torres de Ciudad Satélite [The Towers of the Satellite City] Mathias Goeritz wonders if anybody else—aside from some of his friends—has read the editorials of this section published as [...]
    ICAA Record ID: 741793

  • Exhibit Staged by ‘Fed-Ups’
    Weber, David
    1961
    David Weber describes the inauguration of the exhibition Los hartos [The Fed-Ups] at the Galeria Antonio Souza: Background oboe music can be heard, in the center of a table a small plate with chicken and vegetables, an egg, and together with the [...]
    ICAA Record ID: 752211

  • Highway sculpture : The Towers of Satellite City
    Goeritz, Mathias, 1915-1990
    1970
    Mathias Goeritz comments on his early obsession with the idea of vertical constructions. His first monumental tower (for the Museo Experimental El Eco) as well as the series of projects called “Arquitectura emocional” [Emotional Architecture] are [...]
    ICAA Record ID: 757382

  • Juan O'Gorman
    Goeritz, Mathias, 1915-1990
    1960
    In Mathias Goeritz’s opinion, the architect and sculptor Juan O’Gorman is an original visionary because in his artistic endeavors he tries to connect the arts and subordinate them to concepts that synthesize his extra-artistic convictions. [...]
    ICAA Record ID: 751346

  • La vacilada como punto final
    Nelken, Margarita
    1961
    Margarita Nelken describes the Second Biennial for Young Artists, in Paris, and the exhibition of the Los hartos [Fed Up] group in the Galería Antonio Souza in Mexico City as the end of one era and the beginning of another. The Los hartos “ [...]
    ICAA Record ID: 752203

  • Los Hartos
    Rodríguez Prampolini, Ida
    1961
    The review by Ida Rodríguez [Prampolini] is one of the most complete ever written about the exhibition by Los Hartos [The Fed-Ups]. With fondness and a nimble style she describes the work and each of the 12 personalities who participated in that [...]
    ICAA Record ID: 752226

  • Mathias Goeritz : un suicida frustrado
    González Tejada, Julio
    1960
    The author of this article, Julio González Tejada, refers to the exhibition El realismo de Mathias Goeritz and comments that if said exhibition intended to be an “explosion and manifestation of rebellion,” it turned out to be a symptom and [...]
    ICAA Record ID: 757372

  • Multicosas
    Vargas, Elvira
    1954
    The journalist Elvira Vargas informs, in a short note, that there had been several mentions of Jaime García Terrés, director de Difusión Cultural de la Universidad Nacional Autónoma de México [director of cultural information at the UNAM], [...]
    ICAA Record ID: 762402

  • Oratorio monocromático : los hartos
    Reyes Palma, Francisco
    1997
    Francisco Reyes Palma visits the inner complex personality of Mathias Goeritz through a detailed history of the ideas that influenced the development of the culture as well as its actors during the twentieth century. An artist of his time, Goeritz [...]
    ICAA Record ID: 751391

  • Parece una página de “Picardía Mexicana” : Goeritz y Montiel incorporan a su muestra lo que la gente les escribió en los muros
    1969
    These are descriptions and reproductions of some of the comments inscribed by the public on the walls of the “cubo metafísico” [metaphysical cube] during the third exhibition of the Presencia de Los Hartos [We’re Here and We’re Fed Up] [...]
    ICAA Record ID: 752195

  • Reflexiones en torno al vitral contemporáneo
    Rodríguez Prampolini, Ida
    1962
    Upon the installation of twelve stained glass windows designed by Marc Chagall in the synagogue at the University Medical Center of Jerusalem in February 1962, Ida Rodríguez [Prampolini] reflected on the resurgence of stained glass—for decorative [...]
    ICAA Record ID: 757395

  • The sculpture "The Serpent of El Eco" : a primary structure of 1953
    Goeritz, Mathias, 1915-1990
    1970
    Mathias Goeritz writes about how Daniel Mont, an unusual patron of the arts, offered him a highly ambitious and at the same time the most exciting project he ever received: the design and construction, with total freedom, of a building in the center [...]
    ICAA Record ID: 757389

  • Tres en uno : la exposición de Martín Goeritz
    Neuvillate, Alfonso de
    1969
    The author, Alfonso de Neuvillate, comments that the exhibitions by Mathias Goeritz are always something people look forward to, because of the power of invention which characterizes his work—something infrequent in the artistic environment of that [...]
    ICAA Record ID: 754344