Documents of Latin American and Latino Art

Horacio Safons reports on Antonio Berni’s exhibition at the Centro de Artes Visuales (Buenos Aires, 1965) at the Instituto Torcuato Di Tella, principally analyzing his Ramona Montiel series from a formal perspective and with regard to the nature of [...]

Horacio Safons’s response to the summons to side against the 1971 São Paulo Biennial. In his answer, Safons uses self-criticism, saying that to carry out a contra-biennial is to force himself to fight in his adversary’s field. Likewise, he [...]