The Centro Cultural Ricardo Rojas, founded in 1984, is a cultural extension of the Universidad de Buenos Aires in which various activities were developed, including courses, conferences, film series, and the like. A few years after it opened in 1989, the Galería del Centro Cultural Ricardo Rojas was created in the entrance hall of the university campus and was directed by artist and art critic Jorge Gumier-Maier. Shortly thereafter, Magdalena Jitrik was included as an assistant.What began as an underground space within the Buenos Aires artistic scene immediately developed great visibility between 1991 and 1992. In this way, the artists from “el Rojas” began to be included in the agendas of key exhibition spaces, such as the ICI (Instituto de Cooperación Iberoamericana), the Centro Cultural de España, or the Galería Ruth Benzacar. The reference to poetics of the past, such as Pop art, minimalism, Concrete art (under extremely personal reformulations), besides elements of kitsch, have helped to characterize the resources of expression of such artists. Toward the end of the decade, the artists who made up “el grupo del Rojas” were grouped, in a generic manner, as the representatives of the “1990s Argentinean art.”El Rojas presenta: Algunos Artistas (Buenos Aires, Centro Cultural Recoleta, August, 26–September 6, 1992), as the name indicates, became the “institutional” presentation of the Galería del Rojas. The text, written by its directors and included in this catalog, attests to it.The artists that participated in El Rojas presenta: Algunos Artistas were: Feliciano Centurión, Martín Di Girolamo, Sebastián Gordín, Jorge Gumier Maier, Miguel Harte, Magdalena Jitrik, Benito Laren, Alfredo Londaibere, Nuna Magiante, Enrique Mármora, Emiliano Miliyo, Esteban Páges, Ariadna Pastorini, Marcelo Pombo, Elisabet Sánchez, Omar Schiliro, and Sergio Vila.Art critic Fabián Lebenglik reviewed the exhibitions that Galería del Centro Cultural Ricardo Rojas housed since inception through his articles in the visual arts section of the Página/12 daily.