“La escultura en la Bienal” [Sculpture at the Biennial] by Spanish critic Ricardo Gullón, is a chapter in the book published in conjunction with the First Bienal Hispanoamericana de Arte [First Spanish-American Art Biennial]. The first part of the text (pp. V–XLIII) consists of the following sections: Sobre la Bienal[About the Biennial], Junta Organizadora [Steering Committee], Jurado de Calificación [Jury], Estatutos [Bylaws], Convocatoria General a los artistas españoles [Call for Submission to Spanish Artists], Premios de la Bienal Hispanoamericana de Arte [Prizes Granted at the Spanish-American Art Biennial]. The second part, which is 251 pages long, consists of the catalogue proper. It is divided into the following sections: Pintura hispanoamericana [Spanish-American Painting] by Rafael Santos Torroella; Museo de Arte Moderno (salas altas, pintura): Pintura española de hoy [Museum of Modern Art (Upper Galleries, Painting): Spanish Painting Today] by Enrique Lafuente Ferrari; “La pintura en el Palacio de Exposiciones del Retiro” [Painting at El Retiro Park Palace of Exhibitions] by Juan Ramón Masoliver; Palacio de Exposiciones del Retiro (pintura, España) [El Retiro Park Palace of Exhibitions (Painting, Spain)]; Palacio de Cristal (pintura, España) [Crystal Palace (Painting, Spain)]; Museo Arqueológico (pintura, América) [Archaeological Museum (Painting, the Americas)]; Acuarela, dibujo y grabado a cargo de Sánchez-Camargo [Watercolor, Drawing, and Printmaking under Sánchez-Camargo]; Palacio de Cristal (acuarela, dibujo y grabado) [Crystal Palace (Watercolor, Drawing, and Printmaking)]; Escultura, Arquitectura a la Bienal [Sculpture, Architecture at the Biennial] by José Camón Aznar; Arquitectura (relación de obras) [Architecture (list of works)]; Exposiciones monográficas [Monographic Exhibitions]; Precursores y maestros de la pintura española contemporánea [Forefathers and Masters of Contemporary Spanish Painting] by J. R. M. The publication features images of the 160 participating works.