Documents of 20th-century Latin American and Latino Art

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ICAA Conferences, Symposiums, Events

The Contingencies of Beauty: Artists in Dialogue symposium

November 20–22, 2015
Museum of Fine Arts, Houston

The International Center for the Arts of the Americas (ICAA) is proud to host the The Contingencies of Beauty: Artists in Dialogue symposium at the Museum of Fine Arts, Houston. The Contingencies of Beauty is a series of artist-centered dialogues organized by the ICAA in conjunction with the exhibition Contingent Beauty: Contemporary Art from Latin America. Spread over three installments (a conversation, a round table discussion, and a more formal two-session symposium), the dialogues will provide spaces for reflecting on how many of the most relevant mid-career artists from Latin America whose work is featured in Contingent Beauty merge aesthetic concerns with issues grounded in the region's complicated social and political realities. Please see more details below:

Artists in Dialogue I: A Conversation
Friday, November 20, 3-4:30 p.m.
Caroline Wiess Law Building, Brown Auditorium, MFAH
Artists: Los Carpinteros (Cuba): Marco Castillo and Dagoberto Rodríguez; Grupo Mondongo (Argentina): Juliana Laffitte and Manuel Mendanha
Moderators: Fabiola López-Durán, Rice University, and María C. Gaztambide, ICAA/MFAH

Artists in Dialogue I.5: Focus on the Moving Image
Friday, November 20, 6-6:30 p.m.
Caroline Wiess Law Building, Contingent Beauty Galleries, MFAH
Artists: Javier Téllez and Miguel Ángel Ríos
Location: Contingent Beauty Galleries

Artists in Dialogue III: A Roundtable
Saturday, November 21, 2:30-4:30 p.m.
Caroline Wiess Law Building, Brown Auditorium, MFAH
Artists: Johanna Calle (Colombia), María Fernanda Cardoso (Colombia), Regina Silveira (Brazil), Carmela Gross (Brazil)
Moderator: Tahía Rivero Ponte, Colección Mercantil, Caracas

Artists in Dialogue IV: Symposium: The State of the Moving Image in Latin America
Sunday, November 22
Audrey Jones Beck Building, American General Conference Room, MFAH
1:30-5 p.m. | Two Sessions
Artists: Tania Bruguera (Cuba), Magdalena Fernández (Venezuela), José Alejandro Restrepo (Colombia), Miguel Ángel Rojas (Colombia), and Teresa Serrano (Mexico)
Session moderators: Gabriela Rangel, Americas Society, New York, and George Flaherty, University of Texas, Austin.

These events are free but seating availability is limited. Please RSVP to Beatriz Olivetti at bolivetti@mfah.org by Monday, November 2, 2015.


Website Launch, Book Series Preview and International Symposium

January 19–20, 2012
Museum of Fine Arts, Houston

Join us for the launch of this remarkable website, a preview of the book series, and the symposium Mining the Archive: New Paths for Latin American/ Latino Art Research featuring an international roster of scholars, art historians, and curators from Latin America and the United States.

The MFAH, and its research institute, the ICAA, have devoted 10 years to creating a digital archive of 20th-century Latin American and Latino art. This January 2012 marks a milestone with the launch of the first phase in this digital archive of some 10,000 primary source and critical materials (corresponding to Argentina, Mexico and the Midwestern United States). Culled by more than 100 researchers based in 16 cities in the United States and throughout Latin America, the online digital archive will be available worldwide, free of charge, and is intended as a catalyst for the future of a field that has been notoriously lacking in accessible resources.

Resisting Categories: Latin American and/or Latino? is the first of 13 volumes in Critical Documents of 20th-Century Latin American and Latino Art, the digital archive’s companion book series. Organized by Héctor Olea, Mari Carmen Ramírez, and Tomás Ybarra- Frausto, with document introductions by María C. Gaztambide, the first volume gathers 168 documents that trace the development of the constructs of “Latin American” and “Latino” art from the late 19th century to today. The series is published by the Museum of Fine Arts, Houston, and distributed by Yale University Press, New Haven and London.

Click here for additional details (PDF, 2.8 MB)

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