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    [Aunque en estas breves cuartillas no me extenderé demasiado en el aspecto histórico de la Pintura en Puerto Rico...]
    9 leaves
    Typed sheet – notes
    Homar, Lorenzo. "[Aunque en estas breves cuartillas no me extenderé demasiado en el aspecto histórico de la pintura en Puerto Rico,...]." Typewritten, March 21, 1956. Private Archive of Laura Homar Dämm and Laura Homar Dämm, San Juan, Puerto Rico.
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Lorenzo Homar begins these brief notes on Puerto Rican art and artists by discussing painter Francisco Oller. He goes on to state that art should be at the service of society and that artists should not be concerned with imitating avant-gardes who are essentially foreign to them. He comments on the first exhibition of the Asociación Escuela de Artes Plásticas de Puerto Rico, which opened on March 22, 1956, at the Ateneo Puertorriqueño and included work by more than forty artists. Homar states that Puerto Rican artists face great challenges and that there is an urgent need to establish an art school on the island. Both art education and discipline are, in Homar’s view, essential to enabling a people to develop art.


Lorenzo Homar (San Juan, 1913-2004) organized in 1957 the Taller de Gráfica [Graphics Workshop] at the Instituto de Cultura Puertorriqueña, which he directed until his resignation in 1973. Some of the foremost artists of Puerto Rican art studied printmaking techniques in this workshop. Homar inspired in them dedication and love for the art, for, as he once said: “There is no vocation without discipline, and without discipline there can be no freedom in art, or elsewhere.” Homar was one of the organizers of the First Bienal de San Juan del Grabado Latinoamericano held in 1970. He developed the technique of silkscreen and offered numerous workshops in and outside Puerto Rico.

Flavia Marichal Lugo
Museo de Historia, Antropología y Arte, Universidad de Puerto Rico, San Juan, Puerto Rico
Courtesy of the private archives of Laura Homar Dämm and Susan Homar Dämm, San Juan, Puerto Rico.