The editorial categories are research topics that have guided researchers during the recovery phase and continue to be the impetus behind the Documents Project’s digital archive and the Critical Documents book series. Developed by the project’s Editorial Board, each of the teams analyzed this framework and adapted it to their local contexts in developing their research objectives and work plans during the Recovery Phase. Learn more on the Editorial Framework page.
Mexican printmaker Alberto Beltrán writes to his Puerto Rican colleague Lorenzo Homar about the controversy stirred up by Mexican writer Carlos Fuentes and his group, following the announcement in the press that he [Fuentes], José Luis Cuevas, Octavio Paz, Carlos Monsiváis, and Fernando Benítez were the only artists of any merit in Mexican culture. Beltrán mentions having drawn a cartoon that the group did not appreciate, and which prompted Fuentes to insult him in a two-page letter in the newspaper. Two replies to Fuentes’s letter were subsequently published: one from Beltrán and the other from a journalist friend who spoke up in his defense.
In 1958, Puerto Rican printmaker Lorenzo Homar went to Mexico City with the delegation of Puerto Rican artists who took part in the I Bienal Interamericana de Pintura y Grabado [1st Inter-American Biennial of Painting and Prints]. In Mexico City they were feted by the Taller de Gráfica Popular [People’s Print Workshop] (TGP). This was where Homar met Leopoldo Méndez, Mariana Yampolsky, Arturo García Bustos, and Beltrán himself, among others. Following this trip, Homar developed a close friendship with Beltrán (1923–2002). Homar’s archives contain a wealth of correspondence between the two men. Beltrán, who was devoted to the nationalist cause, joined the TGP in 1944. He was awarded first prize in the print category at the Primera Bienal Interamericana de Pintura y Grabado [First Inter-American Biennial of Painting and Prints]. Beltrán was the publisher of two newspapers that featured cartoons, Ahí va el golpe [Be careful!] and El Coyote Emplumado [The Feathered Coyote] as well as deputy director for graphics at the newspaper El Día.