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  • ICAA Record ID
    845482
    TITLE
    Archaeological find, number 9 : artist's statement / Raphael Montañez Ortiz
    IN
    Raphael Montañez Ortiz, early destruction 1957-67. -- New York, USA : Whitney Museum of American Art, 1996.
    DESCRIPTION
    p. [9]
    LANGUAGES
    English
    TYPE AND GENRE
    Book/pamphlet article – Artists’ Statement
    BIBLIOGRAPHIC CITATION
    Ortiz, Rafael Montanez. "Archaeological find, number 9 : artist's statement" In Raphael Montañez Ortiz, early destruction 1957-67, [9]. Exh. cat., New York, USA : Whitney Museum of American Art, 1996.
    NAME DESCRIPTORS
Synopsis

In this statement, artist Raphael Montañez Ortiz describes the process by which he created Archaeological Find, Number 9. Through a ritualistically-prescribed series of destruction sessions, Ortiz recounts how he ripped the sofa apart, thus “releasing it to its less spurious materiality.” After coating the remnants in multiple coats of glue and mounting them on plywood, Ortiz inspected the work to determine how it would hang as a wall piece.

Annotations

Raphael Montañez Ortiz wrote this artist statement for the exhibition catalogue of the Raphael Montañez Ortiz: Early Deconstruction, 1957-67 at the Whitney Museum of American Art in 1996. Presented as part of the Whitney’s ongoing “Collection in Context” series, the show featured Archaeological Find, Number 9, an artwork purchased from Ortiz that was included in the Whitney’s Young Americans exhibition (1965). His brief statement not only provides valuable insight into Ortiz’s aesthetic framework, but also brings to the fore thorough information on the creation of this specific artwork from his Archaeological Find series. As one of the seminal figures of the international avant-garde, Ortiz was one of only two U.S. representatives for the Destruction InArt Symposium (DIAS) in London in 1966; the other artist was Yoko Ono. In 1969, Ortiz was the founding father of New York’s El Museo del Barrio and from that point on he ceased to be recognized within the mainstream art milieu and became primarily known as a “Puerto Rican artist.”  This artist statement attests to Ortiz’s avant-vanguard role of making innovative contributions in areas that had not yet been codified as “art” genres.

Researcher
Tere Romo.
Team
Chicano Studies Research Center, UCLA, Los Angeles, USA
Credit
Courtesy of the private archive of Raphael Montañez, Highland Park, NJ.
Ortiz, Rafael Montañez, "Archaeological Find, Number 9 Artist's Statement" in Raphael Montañez Ortiz: Early Destruction, 1957-1967. New York, Whitney Museum of American Art, December 18, 1993.