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  • ICAA Record ID
    Correspondencia : Reflexiones acerca de una exposición / Damián Carlos Bayón
    Ver y Estimar: Cuadernos de crítica artística (Buenos Aires, Argentina). -- Vol. 7, no. 24 (Jul., 1951)
    p. 45 - 48
    Journal article – Essays
    Bayón, Damián Carlos. "Correspondencia: Reflexiones acerca de una exposición." Ver y Estimar (Buenos Aires) 7, no. 24 (July 1951): 45-48.
    Campin, Robert; Christus, Petrus; Eyck, Jan van; Memling, Hans; Weyden, Rogier van der

In this article Damián Bayón comments on an exhibition of work drawn from museums in Berlin, which was held at the Petit Palais in Paris. Based on his observations of the European public, Bayón states that the way “to recognize the superior quality” of an artist is to compare him with another artist from the same period. This affirmation is supported throughout the article by his analysis of the work of Flemish masters: Van Eyck; the Master of Flémalle; Van der Weyden; Petrus Christus and Memling, among others.


Damián Carlos Bayón (1915–95) was an art critic, teacher and author of numerous books. He held a Ph.D in history and was a disciple of Jorge Romero Brest (1905-89); in 1948 he became one of the founders of the magazine Ver y estimar, for which Brest served as editor. The following year, Bayón moved to Paris and continued to collaborate on the magazine until 1955 (the final year of its publication). He then began working with theoretician Pierre Francastel. In the next two decades, he became professor in the University of Texas at Austin. 

Ver y estimar had two publication eras: the first encompassed its first thirty-four issues, published between 1948 and 1953; the second stage, between 1954 and 1955, consisted of ten issues. This publication was meant to be educational with regard to art criticism, for its readers and for the students of Romero Brest who collaborated on the magazine. Its articles dealt with artists, exhibitions and problems within the local milieu and international scene contexts, as well as with different historical periods.

This article by Bayón is significant because it explains his method for “evaluating” a work of art; in other words, the method by which its “true” value could be discovered.

Lic. Natalia Pineau.
Fundación Espigas, Buenos Aires, Argentina
Courtesy of Centro Damián Carlos Bayón del Instituto de América de Santa Fé, Granada, España
Fundación Espigas.