The editorial categories are research topics that have guided researchers during the recovery phase and continue to be the impetus behind the Documents Project’s digital archive and the Critical Documents book series. Developed by the project’s Editorial Board, each of the teams analyzed this framework and adapted it to their local contexts in developing their research objectives and work plans during the Recovery Phase. Learn more on the Editorial Framework page.
This is the invitation to the exhibition Fin de año [End of Year] (Buenos Aires: Galería Nice, December 21, 1962–January 5, 1963).
Liliana Porter (b. 1941) was born in Buenos Aires, and began studying art at the Escuela Nacional de Bellas Artes Manuel Belgrano [National School of Fine Arts]. In 1958 she and her family moved to Mexico City, where she enrolled at the Universidad Iberoamericana and took classes from the German artist Mathias Goeritz (1915–90), specializing in printmaking with Guillermo Silva Santamaría. Her work during this period was the basis of her earliest exhibitions. She returned to Buenos Aires in 1961 and remained there until 1964, continuing her art training with Fernando López Anaya and Ana María Moncalvo. In 1964 she moved to New York City where she joined forces with Luis Camnitzer and José Guillermo Castillo to start the New York Graphic Workshop (NYGW, 1964-65), a space where classes were held and other artists’ works were printed. It was also a place where artists gathered to discuss printmaking and its role in contemporary society, which led to a variety of group projects. The workshop closed in about 1970. In 1975, Porter and Camnitzer, who were married at that time, opened the Studio Camnitzer-Porter in Valdottavo (Lucca). After they separated, the studio became the Studio Camnitzer. Liliana Porter currently lives and works in Rhinebeck, New York state. This invitation is of interest because it documents Liliana Porter’s involvement in Buenos Aires art circles. Several of the artists whose works were also shown at this exhibition—Carlos Alonso, Juan Batlle Planas (1911–66), Alfredo de Vincenzo, Albino Fernández, Helios Gagliardi, José M. Lanús, Alfredo Misita, and Raúl Soldi—had long been active in the local art world.