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  • ICAA Record ID
    772239
    TITLE
    Desafiando la pistola cargada de piroxilina de Siqueiros : José Luis Cuevas arremete contra la falsa pintura oficial / Texto y dibujos de JOSE LUIS CUEVAS
    IN
    México en la Cultura : suplemento cultural de Novedades (México, D. F., México). -- Feb. 8, 1959
    DESCRIPTION
    p. 1 ; 5: ill.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Newspaper article – Essays
    BIBLIOGRAPHIC CITATION
    Cuevas, José Luis. "Desafiando la pistola cargada de piroxilina de Siqueiros: José Luis Cuevas arremete contra la falsa pintura oficial." México en la cultura: Suplemento cultural de Novedades (Mexico City), February 8, 1959.
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Synopsis

Following a trip through South America, José Luis Cuevas published this article to announce that in many countries there was no longer any interest in the “rubble” of the Mexican School of painting and its nationalist inclinations. In Venezuela, for example, the painter Alejandro Otero is at the forefront of a serious, important movement of non-figurative art. In Peru there is also another sense of rejection for the native approach because of the limitations it imposed upon artistic expression. In Chile the artists are decidedly progressive and considered the Mexican School of painting to be absolutely in decline; Cuevas had heard similar opinions in Uruguay. In Argentina, in turn, the painters cultivated their art independent of demagogic temptations dressed up in nationalism.

Annotations

José Luis Cuevas (b. 1934) began a propaganda campaign that continues to exist to this day against nationalism and the Mexican School of painting. On his travels to different cities in South America he interviewed young painters, most of whom rejected the nationalist, demagogic trend. Comparing the attitudes of those artists and their position in the debate between figuration and abstraction, Cuevas arrived at the conclusion that while differences might be found in all the countries he visited, the debates felt somehow less antagonistic than they did in Mexico, where one sensed the presence of a dictatorship and a monopoly that precluded the unfettered development of new artistic languages. 

Researcher
Ana María Torres : CEPE, U.N.A.M. / CURARE A. C.
Team
CURARE, Espacio crítico para las artes, Mexico City, Mexico
Credit
Courtesy of José Luis Cuevas, Mexico City, Mexico
Location
Instituto de Investigaciones Bibliográficas : Biblioteca Nacional/Hemeroteca Nacional