The editorial categories are research topics that have guided researchers during the recovery phase and continue to be the impetus behind the Documents Project’s digital archive and the Critical Documents book series. Developed by the project’s Editorial Board, each of the teams analyzed this framework and adapted it to their local contexts in developing their research objectives and work plans during the Recovery Phase. Learn more on the Editorial Framework page.
Sent from Morocco, this is a collaboration of poet and painter Diyi Laañ in which she proposes the consideration of the stage as a dramatic construction, that is, as the creation of a dramatic architecture instead of a mere literary drama. The proposal of the author consists of achieving such a construction based on three key elements: man, the word, and the visual arts. The article makes reference to her correspondence with Gyula Kosice.
The journal Arte Madí Universal [Universal Madí Art] was edited between 1947 and June of 1954. Its director was Gyula Kosice (1924–2016), and among its collaborators were: Rhod Rothfuss, Diyi Laañ, H. Koellreutter, Masami Kuni, Valdo Wellington, Alberto Sartorio, Alberto Hidalgo, and M. G. de la Fuente, among many others. The Manifesto Madí was published in its first issue.