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    Experiencias a realizar : 13 : El grito sagrado = Experiences to be realized: 13 : The sacred cry
    Book/pamphlet article – Other
    Luis Pazos, Héctor Puppo, and Jorge de Luján Gutiérrez." Experiencias a realizar : 13 : El grito sagrado = Experiences to be realized: 13 : The sacred cry." In Experiencias. Exh. cat. Buenos Aires: Centro de Arte y Comunicación (CAyC), 1971.


As part of the CAyC’s Experience Still to Come [Visual Practice Still to Come] no. 13, Luis Pazos, Héctor Puppo, and Jorge de Luján Gutiérrez proposed “a 10x5 foot mural” of the faces of the three artists screaming, with “a tape recorder endlessly replaying a scream of FREEDOM” in the background.


In 1968, the Centro de Estudios de Arte y Comunicación [Center for Art and Communications Studies (CEAC)] was created, which, shortly after its first public event at the Galería Bonino (August–September 1969), changed its name to Centro de Arte y Comunicación [Art and Communications Center (CayC)]. Always led by Jorge Glusberg as director and theoretician, the CAyC sponsored several different artists throughout its time. In 1971, the Grupo de los Trece [Group of the Thirteen] was created, made up of Jacques Bedel, Luis Benedit, Gregorio Dujovny, Carlos Gizburg, Víctor Grippo, Jorge González Mir, Vicente Marotta, Luís Pazos, Alfredo Portillos, Juan Carlos Romero, Julio Teich, Horacio Zabala, Alberto Pellegrino, and Jorge Glusberg. Later on, some artists moved on while others were included; in 1975, the CayC Group included the participation of Bedel, Benedit, Grippo, Portillos, and Glusberg.

As part of the interdisciplinary action that the CayC intended since inception in 1969 (“Qué es el CEAC” [What is the CEAC], during the Primera Muestra del Centro de Estudios de Arte y Comunicación de la Fundación de Investigación Interdisciplinaria presentada en la Galería Bonino deBuenos Aires, [First Exhibition of the Center of Art and Communication Studies of the Foundation for Interdisciplinary Research presented at the Bonino Gallery in Buenos Aires] August–September 1969), the organization of courses and seminars taught by acknowledged intellectuals gets started. Beginning in 1973, with the founding of the Escuela de Altos Estudios [School of Advanced Studies] of the CAyC, this type of activity fell under their scope.

This document is part of a book—that is both a book and a work—that was presented at the Seventh Paris Biennial in 1971. It contains images of the happenings described in the book-work Experiencias [Visual Practices] produced by Luis Pazos, Héctor Puppo, and Jorge de Luján- Gutiérrez.

Natalia Pineau
Fundación Espigas, Buenos Aires, Argentina
Courtesy of the personal archives of Luis Pazos, Houston, TX
Biblioteca del Museo Nacional de Bellas Artes.