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  • ICAA Record ID
    744085
    TITLE
    León Ferrari
    IN
    Premio Nacional e Internacional Instituto Torcuato Di Tella. -- Buenos Aires, Argentina : Centro de Arte Visuales  del Instituto Torcuato Di Tella, septiembre de 1965.
    DESCRIPTION
    p. 24 - 25 : ill.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Book/pamphlet article – Biographies
    BIBLIOGRAPHIC CITATION
    "León Ferrari." In Premio Nacional e Internacional Instituto Torcuato Di Tella, 24-25. Buenos Aires: Centro de Artes Visuales del Instituto Torcuato Di Tella, 1965.
    TOPIC DESCRIPTORS
    NAME DESCRIPTORS
    GEOGRAPHIC DESCRIPTORS
Synopsis

A catalogue entry with the artist’s bio and a list of the works he entered in the Di Tella Prize Exhibition (1965), before Civilización Occidental y Cristiana [Western Christian Civilization] was removed from the exhibition. León Ferrari is quoted as saying: “The problem is the old one of mixing art with politics”. 

Annotations

León Ferrari (1920–2013) was born in Buenos Aires, the son of Augusto Cesare Ferrari, the Italian artist and architect. The younger Ferrari was a latecomer to the plastic arts, a status which allowed him to function as a link between the generation of artists from the late fifties and the young avant-garde of the sixties. His early works were ceramic sculptures, but in later years he experimented with wire structures, with a visual form of writing, and with collages. There are two distinct themes running through his work: one is a strong condemnation of military dictatorships, American imperialism, and the ideology of the Catholic Church. The other has a more formalistic quality, expressed in a conceptual style and, at times, in the surrealist tradition. His 1965 object-montage, titled Civilización Occidental y Cristiana [Western Christian Civilization], was censured at theCentro de Artes Visuales del Instituto Torcuato Di Tella [the Torcuato Di Tella Institute’s Visual Arts Center] (see documents 743800, 744085, and 761879). It depicts a Christ mounted on a US Air Force bomber that is plunging Earthward. Ferrari was involved in the political conceptualism movement of the seventies (particularly Tucumán Arde, in 1968). In response to the most recent Argentine military dictatorship’s repressive regime (1975-83), he went into exile in Brazil, where he explored a variety of ideas, such as formalism and the reproducibility of a work, as well as the spatial relationship between sculpture and music (see documents 743960, 744392, and 743870, among others). In 1984 his work was once again exhibited in Buenos Aires, where he finally returned and settled.  
 
In 1984, when he returned to Argentina after living in exile, León Ferrari was purposefully involved in the Brazilian art milieu, where he presented León Ferrari. Desenhos [León Ferrari. Designs] (São Paulo: Galeria Suzanna Sassoun, November 29 – December 30, 1984).  

File clipping; no record of page number. 

Researcher
Roberto Amigo
Team
Fundación Espigas, Buenos Aires, Argentina
Credit
Courtesy of Archivo di Tella, Universidad Torcuato di Tella, Buenos Aires, Argentina
Location
Archivo personal León Ferrari.