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  • ICAA Record ID
    744059
    TITLE
    Uma arte que polemiza a Bíblia
    IN
    Folha de S. Paulo (São Paulo, Brasil). -- Nov. 29, 1984
    DESCRIPTION
    p. 35 : ill.
    LANGUAGES
    Portuguese
    TYPE AND GENRE
    Newspaper article – notes
    BIBLIOGRAPHIC CITATION
    "Uma arte que polemiza a Bíblia." Folha de S. Paulo (São Paulo), November 29, 1984, 35.
    NAME DESCRIPTORS
    GEOGRAPHIC DESCRIPTORS
Synopsis

The review predicts heated future discussions over the Bible collages series known as Biblia Gofrada [Embossed Bible] exhibited by the artist. The writer refers to works in the exhibition in which León Ferrari uses images by old Masters that worked on religious subjects.

Annotations

León Ferrari was born in Buenos Aires in 1920, the son of Augusto Cesare Ferrari, the Italian artist and architect. The younger Ferrari was a latecomer to the plastic arts, a status which allowed him to function as a link between the generation of artists from the late fifties and the young avant-garde of the sixties. His early works were ceramic sculptures, but in later years he experimented with wire structures, with a visual form of writing, and with collages. There are two distinct themes running through his work: one is a strong condemnation of military dictatorships, American imperialism, and the ideology of the Catholic Church. The other has a more formalistic quality, expressed in a conceptual style and, at times, in the surrealist tradition. His 1965 object-montage, titled Civilización Occidental y Cristiana [Western Christian Civilization], was censured at theCentro de Artes Visuales del Instituto Torcuato Di Tella [the Torcuato Di Tella Institute’s Visual Arts Center] (see documents 743800, 744085, and 761879). It depicts a Christ mounted on a US Air Force bomber that is plunging Earthward. Ferrari was involved in the political conceptualism movement of the seventies (particularly Tucumán Arde, in 1968). In response to the most recent Argentine military dictatorship’s repressive regime (1975-83), he went into exile in Brazil, where he explored a variety of ideas, such as formalism and the reproducibility of a work, as well as the spatial relationship between sculpture and music (see documents 743960, 744392, and 743870, among others). In 1984 his work was once again exhibited in Buenos Aires, where he finally returned and settled.  
 
In 1984, when he returned to Argentina after living in exile, León Ferrari was purposefully involved in the Brazilian art milieu, where he presented León Ferrari. Desenhos [León Ferrari. Designs] (São Paulo: Galeria Suzanna Sassoun, November 29 – December 30, 1984).  

File clipping; no record of page number. 

Researcher
Roberto Amigo.
Team
Fundación Espigas, Buenos Aires, Argentina
Location
Archivo León Ferrari, Argentina.