The editorial categories are research topics that have guided researchers during the recovery phase and continue to be the impetus behind the Documents Project’s digital archive and the Critical Documents book series. Developed by the project’s Editorial Board, each of the teams analyzed this framework and adapted it to their local contexts in developing their research objectives and work plans during the Recovery Phase. Learn more on the Editorial Framework page.
The text announces an “introduction to semiologic research” seminar will take place for the post-graduate level, directed by Professor Armando Sercovich, organized by the Centro de Arte y Comunicación (CAyC). Its objective is to “familiarize its participants with present developments in the Communication Theory and enable them to keep in touch with the 1971 activities program planned by the CayC in this field.” A list of topics to be discussed is also presented.
O texto anuncia o desenvolvimento de um seminário de “introdução à pesquisa semiológica”, com caráter de pós-graduação, dirigido pelo Prof. Armando Sercovich, e organizado pelo Centro de Arte y Comunicación (CAyC). O objetivo básico é “familiarizar os participantes com certos desenvolvimentos atuais da teoria da Comunicação, possibilitando o seu vínculo com o programa de atividades previstas pelo CayC neste campo para o ano 1971”. Além disso, o temário a ser abordado é apresentado.
In 1968, the Centro de Estudios de Arte y Comunicación [Center for Art and Communications Studies (CEAC)] was created, which, shortly after its first public event at the Galería Bonino (August–September 1969), changed its name to Centro de Arte y Comunicación [Art and Communications Center (CayC)]. Always led by Jorge Glusberg as director and theoretician, the CAyC sponsored several different artists throughout its time. In 1971, the Grupo de los Trece [Group of the Thirteen] was created, made up of Jacques Bedel, Luis Benedit, Gregorio Dujovny, Carlos Gizburg, Víctor Grippo, Jorge González Mir, Vicente Marotta, Luís Pazos, Alfredo Portillos, Juan Carlos Romero, Julio Teich, Horacio Zabala, Alberto Pellegrino, and Jorge Glusberg. Later on, some artists moved on while others were included; in 1975, the CayC Group included the participation of Bedel, Benedit, Grippo, Portillos, and Glusberg.
As part of the interdisciplinary action that the CayC intended since inception in 1969 (“Qué es el CEAC” [What is the CEAC], during the Primera muestra del Centro de Estudios de Arte y Comunicación de la Fundación de Investigación Interdisciplinaria presentada en la Galería Bonino de Buenos Aires, [First Exhibition of the Center of Art and Communication Studies of the Foundation for Interdisciplinary Research presented at the Bonino Gallery in Buenos Aires] August–September 1969), the organization of courses and seminars taught by acknowledged intellectuals gets started. Beginning in 1973, with the founding of the Escuela de Altos Estudios [School of Advanced Studies] of the CAyC, this type of activity fell under their scope.