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  • ICAA Record ID
    743656
    TITLE
    CAyC : Escultura, follaje y ruidos: Adquisición Norglas - (GT17) / Centro de Arte y Comunicación (CAyC)
    IMPRINT
    Buenos Aires, Argentina : Centro de Arte y Comunicación (CAyC), 2 de noviembre de 1970
    DESCRIPTION
    1 leaf
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Loose leaf – notes
    BIBLIOGRAPHIC CITATION
    Centro de Arte y Comunicación (CAyC). "CAyC: Escultura, follaje y ruidos; Adquisición Norglas - (GT17)." Buenos Aires: CAyC, November 2, 1970. Biblioteca del Museo Nacional de Bellas Artes.
    TOPIC DESCRIPTORS
    NAME DESCRIPTORS
    Albertazzi, Oscar; Aldama, Felipe; Badii, Líbero, 1916-; Bedel, Jacques; Benedit, Luis, 1937-
    GEOGRAPHIC DESCRIPTORS
Synopsis

This text includes a list of the artists who participated in the exhibition, Escultura, follaje y ruidos [Sculpture, Foliage, and Noise] (Buenos Aires, Plaza Rubén, November 7–30, 1970). It also mentions the event sponsor.

Annotations

The Centro de Estudios de Arte y Comunicación (CEAC) [Center for the Studies of Art and Communication] was founded in 1968; shortly after its first public event at the Galería Bonino (August–September 1969), it changed its name to the Centro de Arte y Comunicación (CAyC) [Center for Art and Communication]. With Jorge Glusberg (1934–2012) as its director and theoretician, the CAyC patronized different artists throughout the years. In 1971 the Grupo de los Trece [Group of Thirteen] was created; its members were Jacques Bedel, Luis [Fernando] Benedit (1933–2011), Gregorio Dujovny, Calros Ginzburg, Víctor Grippo, Jorge González Mir, Vicente Marotta, Luis Pazos, Alfredo Portillos, Juan Carlos Romero, Julio Teich, Horacio Zabala, Alberto Pellegrino, and Glusberg. Later some of these artists left the group and became linked to others, such as the Grupo CAyC, which was formed in 1975, with the participation of Bedel, Benedit, Grippo, Portillos, and Glusberg.

Researcher
Natalia Pineau.
Team
Fundación Espigas, Buenos Aires, Argentina
Location
Biblioteca del Museo Nacional de Bellas Artes.