Documents of 20th-century Latin American and Latino Art

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  • ICAA Record ID
    739941
    TITLE
    Artes plásticas / L. N.
    IN
    El Mundo (Buenos Aires, Argentina). -- No. 10254 (oct. 20, 1956)
    DESCRIPTION
    p. 25 : ill.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Newspaper article – notes
    BIBLIOGRAPHIC CITATION
    Noé, Luis Felipe. "Artes plásticas." El Mundo (Buenos Aires), October 20, 1956, 25.
    NAME DESCRIPTORS
    Chale, Gertrudis, 1898-; López Claro, César, 1912-; Tejeiro, María Rosa; Testa, Clorindo, 1923-
    GEOGRAPHIC DESCRIPTORS
Editorial Categories [?]
Synopsis

Luis Felipe Noé highlights the work of architect Clorindo Testa: his conception of movement in space as well as his existential affirmation.  On the other hand, he points out Gertrudis Chale’s preoccupation with the existence of man in the Andean region. Noé also refers to other exhibitions, analyzing the visual elements of the works presented as well as their themes.

Annotations

Luis Felipe Noé (Buenos Aires, 1933) began his studies with the painter Horacio Butler at the beginning of the 1950s, mounting his first exhibition in 1959.  In 1961 he had a group exhibition as Otra Figuración [Another Figuration] at the Galería Peuser in conjunction with Ernesto Deira, Rómulo Macció and Jorge de la Vega. The group exhibited together until 1965. Noé stood out among the group due to his theoretical reflections on art in contemporary society. Among his central tenets was the idea of “chaos as structure” of an artwork. Notable among his publications are Antiestética [Anti-aesthetic] (Buenos Aires: Editorial Van Riel, 1965) and Una sociedad colonial avanzada [An Advanced Colonial Society] (Buenos Aires: Editorial La Flor, 1971). 

A substantial renewal in the visual arts took place in Argentina during the second half of the 1950s. This process mandated an update of the understanding of visual language within art criticism. The present document is part of a series that reassembles the body of art criticism written by Noé in 1956. The documents were published in the newspaper El Mundo [The World] (published between 1928 and 1967, it was the first newspaper presented in tabloid format in Argentina, and enjoyed popularity due to its illustrated stories). Noé’s visual arts education took place, from the beginning of the 1950s, in the workshop of figurative artist Horacio Butler, who himself had been a member of the innovative group of the 1930s Paris. 

This document is key to understanding how Noé develops his ideas regarding the relationship between art and existence. 

Researcher
Roberto Amigo.
Team
Fundación Espigas, Buenos Aires, Argentina
Credit
Courtesy of the Private Archives of Luis Felipe Noé, Buenos Aires, Argentina.
Location
Biblioteca Nacional, Buenos Aires, Argentina.