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    Radiograma a Ramón / Oliverio Girondo
    Martín Fierro: Periódico quincenal de arte y crítica libre (Buenos Aires, Argentina). -- Vol. 2, no.19 (Jul. 18, 1925)
    Journal article – Essays
    Girondo, Oliverio. "Radiograma a Ramón." Martín Fierro: Periódico quincenal de arte y crítica libre (Buenos Aires), vol. 2, no. 19 (July 18, 1925).

A literary text in which Oliverio Girondo expresses his impatience regarding the imminent arrival in Buenos Aires of Spanish writer Ramón Gómez de la Serna. Finally, even though the trip did not take shape, Girondo decided to publish the supplement in his honor. That is why he writes this “radiogram” in which, in poetic terms, the readers are informed about the visit’s postponement.


Martín Fierro (1924–27) obtained a distinguished position amid the avant-garde journals booming in the 1920s Argentina, more specifically in Buenos Aires. It was led by Evar Méndez, even though in 1925 Oliverio Girondo, Eduardo J. Bullrich, Sergio Piñero, and Alberto Prebisch also participated in its direction. Great Argentinean writers, such as Girondo himself, Ricardo Molinari, Leopoldo Marechal, and Jorge Luis Borges, among others, were contributors of its pages; and this include artists such as Emilio Pettoruti, Xul Solar, and Norah Borges. Martín Fierro ceased to exist when the managing group—upon facing the political candidacy of Hipólito Yrigoyen to the nation’s presidency—was split between those who proposed to introduce politics into the journal’s pages and those who refused. This internal bickering caused the folding of the publication. It should be noted that Martín Fierro was read at that time as the representative of the “avant-garde” in Argentina.  

This text by writer Oliverio Girondo was part of a supplement honoring Ramón Gomez de la Serna, (1888–1963), a key figure in the Spanish avant-garde, upon his expected arrival in Buenos Aires, which did not take place at that moment. The supplement was inserted in the Martín Fierro no. 18 edition (July 18, 1925). The group of “martinfierristas” [those practitioners of the Martin Fierro guidelines] really admired the Spanish writer, since they considered him a representative of the literary renewal. 

Gómez de la Serna finally arrived for the first time in Buenos Aires in 1931. He returned in 1933, and settled there for good in 1936 (in exile during the Spanish Civil War), until his death (1963).

Natalia Pineau
Fundación Espigas, Buenos Aires, Argentina
Courtesy of Susana Lange and Oliverio Girondo Estate, Buenos Aires, Argentina
Fundación Pan Klub - Museo Xul Solar.