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  • ICAA Record ID
    1131336
    TITLE
    Medios Electrónicos y Artes del Tiempo MEAT : Informe 1997
    IMPRINT
    Bogotá, Colombia : [s.n.], d de Diciembre de 1997
    DESCRIPTION
    [18] p.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Other – Report
    BIBLIOGRAPHIC CITATION
    Díaz, Myriam Luisa, María Margarita Jiménez and Eduardo Pradilla. "Medios electrónicos y Artes del Tiempo MEAT: Informe 1997." Informe.
    TOPIC DESCRIPTORS
    GEOGRAPHIC DESCRIPTORS
    ADDITIONAL AUTHORS
    Jiménez, María Margarita; Pradilla, Eduardo
Synopsis

This is the MEAT [the Spanish acronym for “electronic media and arts of the period”] report that was presented on December 5, 1997; it includes a description of the project, a proposal for a curriculum reform based on the electronic media and arts of the period, and a brief explanation of the courses of this type that are available to art students. The proposal was jointly written by nine teachers in the department who were interested in a variety of media practices. The list of teachers includes: Andrés Burbano, Myriam Luisa Díaz, Xavier Hurtado, Eduardo Pradilla, and Juan Reyes, among others. This report advocates a reform to the art curriculum that would encourage a new approach to art by including technical skills associated with “new digital technologies” focused on concepts, such as the “dematerialization of the art object” and its process-based characteristics. This approach would in turn challenge the role of art in the world and insist on the need to explore its social functions. A number of precedents and deficiencies therefore led to a statement of objectives that reflect the academy’s interest in developing a new approach that would impact art training in Colombia. 

Annotations

This report documents a particular point of view at the Universidad de los Andes in Bogotá, one of the most influential art institutions in the country. This claim can be made because of the age of the University arts program—which was founded in 1955—and the achievements of its graduates, such as: Beatriz González (b. 1938), Juan Antonio Roda (1921–2003), Luis Caballero Holguín (1943–1995), Luciano Jaramillo (1938–1984), Nirma Zárate (1936–1999), Catalina Mejía (b. 1962), and Rodrigo Facundo (b. 1958), among many others. See “3 décadas de arte uniandino” [doc. no. 1134876].

 

A thorough grasp of the local academic environment requires an understanding of the emphasis on modernity that was an integral part of the arts program at this institution. The reform mentioned here sought to expand the relational possibilities of the work of art, understood as a hermetic, self-contained object. An understanding of the work of art in terms of its relational aspects—framed within a particular space and time—leads to an interest in its circulation and validation. This report explores the relationship between art and society, and discusses how to dismantle the barrier that separates the producers of art from its consumers. Based on that perspective, the report seeks to examine dynamics that are endemic to art that might help to strengthen interdisciplinary research and creation methods. 

 

Such methods should be focused on a sociocultural environment, emphasizing the use of technology in audiovisual fields (photography, video workshops, sound, and animation); digital fields (multimedia design, algorithms, broadcast media, and virtual reality); and temporal fields (intermedia translation, performance art, theatrical staging, and moving images). It should also be noted that this academic department is the only one in Colombia that currently (in 2010) offers this particular emphasis in its curriculum.

Researcher
Jorge Luis Vaca Forero
Team
Universidad de los Andes, Bogota, Colombia
Credit
Deparment of Art Archives, Universidad de los Andes, Bogotá, Colombia.