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  • ICAA Record ID
    1129926
    TITLE
    Castles : que los materiales se defiendan
    IN
    El mundo semanal (Medellín, Colombia). -- Dic. 17, 1983
    DESCRIPTION
    p. 4 : ill.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Newspaper article – notes
    BIBLIOGRAPHIC CITATION
    El Mundo Semanal (Medellín, Colombia). "Castles: que los materiales se defiendan." December 17, 1983, 4.

Editorial Categories [?]
Synopsis

In 1983, a sculpture garden opened in Cerro Nutibara in Medellín, Antioquia, featuring works by international artists Manuel Felguérez (Mexico); Julio Le Parc (Argentina); Sérgio [de] Camargo (Brazil); Carlos Cruz Díez and Jesús Rafael Soto (Venezuela). Works by Colombian artists John Castles, Carlos Rojas, Alberto Uribe, Ronny Vayda, and Edgar Negret were included as well. In this interview, Castles voices his impressions of the project, which received widespread recognition in Medellín. He places emphasis on the valuable opportunity to work with international figures, and on the cultural importance of the project. Castles’s piece in the garden consisted of four metal cylinders arranged by virtue of their weight, so that three of them held up the fourth, which was placed at the center.

Annotations

At the time of its opening, the sculpture garden in Cerro Nutibara in Medellín was considered the fourth most important sculpture garden in the world. John Castles (b. 1946), a promising young sculptor at the time, was given the opportunity to exhibit his work alongside widely recognized Colombian artists like Ronny Vayda (b. 1954), Hugo Zapata (b. 1945), and Germán Botero (b. 1946). After beginning studies in architecture, Castles made expressionistic paintings until 1970, when he turned to the sculpture medium under the influence of Edgar Negret. In 1972, he also started teaching art.

 

This article is one of a series of texts and reports published in the Saturday supplement to Medellín newspaper El Mundo on the occasion of the opening of the sculpture garden. Twenty-five years later, the sculpture garden was in a state of disrepair due to vandalism.

Researcher
Santiago Londoño Vélez
Team
Universidad de los Andes, Bogota, Colombia