Documents of 20th-century Latin American and Latino Art

www.mfah.org Home

IcaadocsArchive

Document first page thumbnail
  • ICAA Record ID
    1129490
    TITLE
    Hacer siempre lo mismo y hacerlo siempre distino / Elkin Restrepo
    IN
    José Antonio Suárez Londoño : obra sobre papel. --- Medellín, Colombia : Universidad EAFIT- Fondo Editorial, 1999
    DESCRIPTION
    p. 11-19 : ill.
    LANGUAGES
    Spanish
    TYPE AND GENRE
    Book/pamphlet article – Essays
    BIBLIOGRAPHIC CITATION
    Restrepo, Elkin. "Hacer siempre lo mismo y hacerlo siempre distinto." In José Antonio Suárez Londoño: obra sobre papel, 11- 19. Medellín, Colombia: Universidad EAFIT- Fondo Editorial, 1999.

Synopsis

Poet Elkin Restrepo wrote the introduction to the book that compiles a wide selection of works on paper by José Antonio Suárez, works produced until 1999. It begins by recalling the impact of the works that Suárez exhibited in Medellín after returning to the country from Switzerland, where he had studied. These small drawings in notebooks and on loose pieces of paper were created in the context of a Colombian art scene that placed little value on drawing, privileging grandiloquent Neo-Expressionist works instead. Indeed, these works entailed a revalorization of drawing and more intimate forms of expression. Restrepo asserts that, during the period Suárez was living in Geneva, he “[…] would lavishly spend hour after hour, whole days, on an activity that, compared to others, was a sort of residual curiosity.” In poetic tone, the author discusses the virtues of Suárez’s painstaking and beautiful work: the freedom to draw whatever he fancies and to be guided by curiosity. He also addresses the fragility of the resources that Suárez employs as he rigorously heeds the Latin mandate Nulla dies sine linea (no day without a line, written or drawn).

Annotations

This is one of the few comprehensive studies of the vast and painstaking work of José Antonio Suárez (b. 1955). A draftsman, illustrator, and printmaker, Suárez studied biology for three years before receiving a diploma and master’s degree from the École Superieure des Arts Visuelles in Geneva, Switzerland (1978-1984).  At the height of Conceptualism, Suárez’s studies were focused on printmaking and drawing.

 

Since Suárez’s return to Colombia, his work has been featured in a number of solo and group exhibitions at major international venues like the biennials of Cuenca (Ecuador), Havana, Puerto Rico, and São Paulo.  Suárez’s work is like a visual diary that combines a number of graphic techniques with images from an array of sources, such as everyday experiences on the street and elsewhere. Some of his images are interpretations of words or popular sayings. Thanks to a remarkable sensibility and a childlike sense of curiosity, as well as a tireless passion for drawing, Suárez has created a body of work like no other on the Colombian art scene.

Researcher
Santiago Londoño Vélez
Team
Universidad de los Andes, Bogota, Colombia
Credit
Courtesy of Elkin Restrepo, Medellín, Colombia.
Reproduced with permission of Luz Imelda Ramirez González, Fondo Editorial Universidad EAFIT, Medellín, Colombia