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  • ICAA Record ID
    1086039
    TITLE
    Altarmakers : the historic mediators / Amalia Mesa-Bains
    IN
    Offerings: The Altar Show. -- Venice, CA : Social and Public Resource Center/SPARC, 1985
    DESCRIPTION
    p. 5-8 : ill.
    LANGUAGES
    English
    TYPE AND GENRE
    Book/pamphlet article – Essays
    BIBLIOGRAPHIC CITATION
    Mesa-Bains, Amalia. "Altarmakers : the historic mediators." In Offerings: the altar show, 5-8. Exh. cat. Venice, CA : Social and Public Resource Center/SPARC, 1985.
Editorial Categories [?]
Synopsis

In this document, Amalia Mesa-Bains writes about the women’s practice of altar-making, suggesting that while there has been a decline in the performance of and engagement with popular ritual in contemporary life, the creation of altars as both ritual and art objects is flourishing and is being embraced by art institutions, such as museums and galleries. Mesa-Bains identifies two strands that she sees as serving as the ideological foundations of much altar-making today. The first focuses on the role of altar making as part of the reclamation phase of the women’s art movement; and secondly, looks at its place in contemporary manifestations of centuries-old domestic folk-rituals. Mesa-Bains describes the different types of altar production that correspond to these two strands, suggesting that while there are various forms that an altar can take, generally they can be understood as articulating a relationship with the divine or with a religious belief on the part of the altar-maker, as well as the central role of women in the everyday life of their families and communities. Mesa-Bains ends the document with an autobiographical statement centered on the motivations for and characteristics of her own practice as an altar-maker.

Annotations

Amalia Mesa-Bains is an artist, curator, and cultural critic who has written extensively on Chicana art forms and Chicano/Latino art. This essay was the introduction for the catalog of the 1985 exhibition, Offerings: The Altar Show, at the Social and Public Resource Center in Venice, California, which featured altars from various artists of color, including by Mesa-Bains. It is a comprehensive general discussion of the function of altars, and in the context of art, and it is also a valuable firsthand description of the seminal role Mesa-Bains has had in moving altar-making into an art practice.

Researcher
Romo
Team
Chicano Studies Research Center, UCLA, Los Angeles, USA
Credit
Courtesy of Dr. Amalia Mesa – Bains, San Juan Bautista, CA